"Queens in Stone and Silver" makes the intriguing argument that
royal women from the early twelfth through the mid-thirteenth
centuries exercised cultural patronage to craft a visual imagery
for queenship. Kathleen Nolan's study is the first to juxtapose
medieval effigy tombs and personal seals, the two main forms of
self-representation. This study considers the meaning of art both
through the dialogue between semiotic and iconographic
methodologies and the study of lost medieval monuments through the
eyes of witnesses from the past. By extricating the artistic
meaning of the seals and tombs, Nolan's uncovers the true agency of
royal women and adds a new angle to the way we look at the
past.
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