Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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Studies in Medievalism XXVII - Authenticity, Medievalism, Music (Hardcover)
Loot Price: R2,302
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Studies in Medievalism XXVII - Authenticity, Medievalism, Music (Hardcover)
Series: Studies in Medievalism
Expected to ship within 12 - 17 working days
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Essays tackling the difficult but essential question of how
medievalism studies should look at the issue of what is and what is
not "authentic". Given the impossibility of completely recovering
the past, the issue of authenticity is clearly central to
scholarship on postmedieval responses to the Middle Ages. The
essays in the first part of this volume address
authenticitydirectly, discussing the 2017 Middle Ages in the Modern
World conference; Early Gothic themes in nineteenth-century British
literature; medievalism in the rituals of St Agnes; emotions in
Game of Thrones; racism in Disney's Middle Ages; and religious
medievalism. The essayists' conclusions regarding authenticity then
inform, even as they are tested by, the subsequent papers, which
consider such matters as medievalism in contemporary French
populism; nationalism in re-enactments of medieval battles;
postmedieval versions of the Kingis Quair; Van Gogh's invocations
of Dante; Surrealist medievalism; chant in video games; music in
cinematic representations of the Black Death; and sound in Aleksei
German's film Hard to Be a God. Karl Fugelso is Professor of Art
History at Towson University in Baltimore, Maryland. Contributors:
Aida Audeh, Tessel Bauduin, Matthias Berger, Karen Cook, Timothy
Curran, Nickolas Haydock, Alexander Kolassa, Carolyne Larrington,
David Matthews, E.J. Pavlinich, Lotte Reinbold, Clare Simmons, Adam
Whittaker, Daniel Wollenberg.
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