Although the British romantic poets--notably, Blake, Wordsworth,
and Byron--have been the subjects of previous ecocritical
examinations, Kate Rigby's Topographies of the Sacred is the first
book to compare English and German literary models of romanticism.
Rigby treats not only canonical British romantics but an array of
major figures in Continental literature, philosophy, and natural
history, including Rousseau, Herder, Goethe, Schelling, Schiller,
and Alexander von Humboldt. Following the pioneering work of
Jonathan Bate and Karl Kroeber, she probes romantic understandings
of nature, the source of the sacred, the power of place, and the
role of literature, with a view to uncovering the tensions and
ambivalences within the European romantic tradition. The result is
a synthetic and philosophically inflected study that looks at the
literary and ecological significance of place within a broad
cultural context.
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