Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Surrealism & Dada
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Surrealist Ghostliness (Hardcover, New)
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Surrealist Ghostliness (Hardcover, New)
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In this study of surrealism and ghostliness, Katharine Conley
provides a new, unifying theory of surrealist art and thought based
on history and the paradigm of puns and anamorphosis. In Surrealist
Ghostliness, Conley discusses surrealism as a movement haunted by
the experience of World War I and the repressed ghost of
spiritualism. From the perspective of surrealist automatism, this
double haunting produced a unifying paradigm of textual and visual
puns that both pervades surrealist thought and art and commemorates
the surrealists' response to the Freudian unconscious. Extending
the gothic imagination inherited from the eighteenth century, the
surrealists inaugurated the psychological century with an
exploration of ghostliness through doubles, puns, and anamorphosis,
revealing through visual activation the underlying coexistence of
realities as opposed as life and death. Surrealist Ghostliness
explores examples of surrealist ghostliness in film, photography,
painting, sculpture, and installation art from the 1920s through
the 1990s by artists from Europe and North America from the center
to the periphery of the surrealist movement. Works by Man Ray,
Claude Cahun, Brassai and Salvador Dali, Lee Miller, Dorothea
Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller
illuminate the surrealist ghostliness that pervades the
twentieth-century arts and compellingly unifies the century's most
influential yet disparate avant-garde movement.
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