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Gadda and Beckett: Storytelling, Subjectivity and Fracture - Storytelling, Subjectivity and Fracture (Hardcover)
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Gadda and Beckett: Storytelling, Subjectivity and Fracture - Storytelling, Subjectivity and Fracture (Hardcover)
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While the writing of Carlo Emilio Gadda (1893-1973) is renowned for
its linguistic and narrative proliferation, the best-known works of
Samuel Beckett (1906-89) are minimalist, with a clear fondness for
subtraction and abstraction. Despite these face-value differences,
a close reading of the two authors early prose writings reveals
some surprisingly affinitive concerns, rooted in their profoundly
troubled relationship with the literary medium and an unceasing
struggle for expression of an incoherent reality and a similarly
unfathomable self. Situating Gadda and Beckett at the heart of the
debate of late European modernism, this study not only contests the
position of insularity frequently ascribed to both authors by
critical consensus, but it also rethinks some of Gadda s
plurilingual and macaronic features by situating them in the
context of the turn-of-the-century Sprachkrise, or crisis of
language. In a close analysis of the primary texts which engages
with the latest findings in empirical research, Wehling-Giorgi
casts fresh light on the central notions of textual and linguistic
fragmentation and provides a new post-Lacanian analysis of the
fractured self in Gadda s and Beckett s narrative."
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