A remarkable debut collection, Kelly Cooper's "Eyehill" provides
a multi-hued portrait of a small prairie town. Too small to support
a high school or a drugstore, Eyehill is populated by men and
women, who have worked for generations to wrest a living from the
dry, rolling hills. Like people anywhere else, they hunger for
love, understanding, a decent living, and safety and comfort in
their homes. Their passion for something more, something better, is
tangled by their almost visceral attachment to the land and by the
dangerous allure of an oil industry that grows more rapacious every
year.
In this startling debut collection of loosely linked stories,
characters disappear only to resurface once again a few stories
later. Among the central characters are Rhea, a girl whose mother
abandoned her and her father when she was three and who grows to
adulthood full of questions and contradictions; Jarvis, a boy whom
she loves but wants as a boyfriend only when he has to marry his
pregnant girlfriend; and the Lalonde brothers, so different and yet
so clearly formed by their shared circumstances.
A strange eroticism pervades "They Secretly Pray for Rain." A
subtle, mostly denied violence underlies "Very Little Blood," but
it percolates to the surface in the terrible climax of "River
Judith." The ancient aquifer flowing below the prairie pulses
through the very marrow of the men's bones. Farming is not what
they do, but what they are, and interference is fatal. In this
small, tightly knit community, secrets are essential. The need to
keep silent and to control terrifying emotions is at the same time
necessary and ruinous, and the stories people tell hide as much as
they reveal.
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