Japan's introduction to Western literature came though American
literature, as things European were imported to Japan via the
United States. Prior to World War II, the Japanese read such
writers as Washington Irving, Poe, and Hawthorne, partly to
practice their English. Today these writers are less popular in
Japan, but younger Japanese scholars are turning more and more
attention to Herman Melville. This book is the first
English-language volume of Japanese scholarship on Melville. With
chapters contributed by the leading scholars in Japan, it presents
a variety of attitudes from the traditional to the new.
Following the introduction, the volume opens with a chapter by
Kenzaburo Ohashi on Melville's reception in Japan. The next chapter
discusses the literary interaction between Hawthorne and Melville
after "Moby-Dick," and is followed by two chapters on "Moby-Dick."
Chapter 5 discusses Melville's transcendentalism. Additional
chapters cover Israel Porter "The Confidence Man,"
Clarel,
Melville's later poetry, and "Billy Budd." The work concludes
with a bibliographical essay on Japanese scholarship and includes a
full subject index.
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