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Composing for the Red Screen - Prokofiev and Soviet Film (Paperback)
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Composing for the Red Screen - Prokofiev and Soviet Film (Paperback)
Series: Oxford Music/Media Series
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Sound film captivated Sergey Prokofiev during the final two decades
of his life: he considered composing for nearly two dozen pictures,
eventually undertaking eight of them, all Soviet productions.
Hollywood luminaries such as Gloria Swanson tempted him with
commissions, and arguably more people heard his film music than his
efforts in all other genres combined. Films for which Prokofiev
composed, in particular those of Sergey Eisenstein, are now
classics of world cinema. Drawing on newly available sources,
Composing for the Red Screen examines - for the first time - the
full extent of this prodigious cinematic career. Author Kevin
Bartig examines how Prokofiev's film music derived from a
self-imposed challenge: to compose "serious" music for a broad
audience. The picture that emerges is of a composer seeking an
individual film-music voice, shunning Hollywood models and
objecting to his Soviet colleagues' ideologically expedient film
songs. Looking at Prokofiev's film music as a whole - with
well-known blockbusters like Alexander Nevsky considered alongside
more obscure or aborted projects - reveals that there were multiple
solutions to the challenge, each with varying degrees of success.
Prokofiev carefully balanced his own populist agenda, the perceived
aesthetic demands of the films themselves, and, later on, Soviet
bureaucratic demands for accessibility.
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