This book provides a concise introduction to critical race theory
and shows how this theory can be used to interpret Jordan Peele's
Get Out. It surveys recent developments in critical race studies
and introduces key concepts that have helped shape the field such
as Black masculinity, white privilege, the Black body, and
miscegenation. The book's analysis of Get Out situates it within
the context of the American horror film, illustrating how
contemporary debates in critical race theory and approaches to the
analysis of mainstream Hollywood cinema can illuminate each other.
In this way, the book provides both an accessible reference guide
to key terminology in critical race studies and film studies, while
contributing new scholarship to both fields.
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