This book traces connections between Georgic verse and developments
in other spheres from the late seventeenth to the early nineteenth
centuries: the mediation of perception by scientific instruments,
of events by newspapers, of knowledge by the feelings, of the past
by narrative. Kevis Goodman argues that because of the Georgic's
concern for the transmission of knowledge and the extension of the
senses over time and space, the verse of this period, far from
burying history in nature (a position more often associated with
Romanticism), instead presents new ways of perceiving history in
terms of sensation. In this way Goodman opens up the subject of
Georgic to larger areas of literary and cultural study including
the history of the feelings and the prehistory of modern media
concerns in relation to print culture and early scientific
technology.
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