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Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music
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Teaching Stravinsky - Nadia Boulanger and the Consecration of a Modernist Icon (Hardcover)
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Teaching Stravinsky - Nadia Boulanger and the Consecration of a Modernist Icon (Hardcover)
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In 1929 Nadia Boulanger accepted Igor Stravinsky's younger son,
Soulima, as her student. Within two years, Stravinsky and Boulanger
merged their artistic spheres, each influencing and enhancing the
cultural work of the other until the composer's death in 1971.
Teaching Stravinsky tells Boulanger's story of the ever-changing
nature of her fractious relationship with Stravinksy. Author
Kimberly A. Francis explores how Boulanger's own professional
activity during the turbulent twentieth-century intersected with
her efforts on behalf of Stravinsky, and how this facilitated her
own influential conversations with the composer about his works
while also drawing her into close contact with his family. Through
the theoretical lens of Bourdieu, and drawing upon over one
thousand pages of letters and scores, many published here for the
first time, Francis examines the extent to which Boulanger played a
foundational role in defining, defending, and ultimately
consecrating Stravinsky's canonical identity. She considers how the
quotidian events in the lives of these two icons of modernism
informed both their art and their professional decisions, and
convincingly argues for a reevaluation of the influence of women on
cultural production during the twentieth century. At once a story
of one woman's vibrant friendship with an iconic modernist
composer, and a case study in how gendered polemics informed
professional negotiations of the artistic-political fields of the
twentieth-century, Teaching Stravinsky sheds new light not only on
how Boulanger taught Stravinsky, but also how, in doing so, she
managed to influence the course of modernism itself.
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