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Funeral Games in Honor of Arthur Vincent Lourie (Hardcover)
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Funeral Games in Honor of Arthur Vincent Lourie (Hardcover)
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Funeral Games in Honor of Arthur Vincent Lourie explores the varied
aesthetic impulses and ever-evolving personal motivations of
Russian composer Arthur Lourie. A St. Petersburg native allied with
the Futurist movement and profoundly sympathetic to Silver Age
decadence, Lourie was swept away by the Revolution; he surfaced as
a Communist commissar of music before landing in Europe and
America, where his career foundered. Making his way by serving
others, he became Stravinsky's right-hand man, Serge Koussevitsky's
ghostwriter, and philosopher Jacques Maritain's muse. Lourie left
his mark on the poems of Anna Akhmatova, on the neoclassical
aesthetics of Stravinsky, on Eurasianism, and on Maritain's
NeoThomist musings about music. Lourie serves as a flawless lens
through which aspects of Silver Age Russia, early Bolshevik rule,
and the cultural space of exile come into sharper focus. But this
interdisciplinary collection of essays, edited by musicologists
Klara Moricz and Simon Morrison, also looks at Lourie himself as an
artist and intellectual in his own right. Much of the aesthetic and
technical discussion concerns his grandly eulogistic opera The
Blackamoor of Peter the Great, understood as both a belated
Symbolist work and as a NeoThomist exercise. Despite the importance
Lourie attached to the opera as his masterwork, Blackamoor has
never been performed, its fate thus serving as an emblem of
Lourie's own. Yet even if Lourie seems to have been destined to be
but a footnote in the pages of music history, he looms large in
studies of emigration and cultural memory. Here Lourie's life, like
his last opera, is presented as a meditation on the circumstances
and psychology of exile. Ultimately, these essays recover a lost
realm of musical and aesthetic possibilities-a Russia that Lourie,
and the world, saw disappear.
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