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Jewish Identities - Nationalism, Racism, and Utopianism in Twentieth-Century Music (Hardcover)
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Jewish Identities - Nationalism, Racism, and Utopianism in Twentieth-Century Music (Hardcover)
Series: California Studies in 20th-Century Music, 8
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"Jewish Identities" mounts a formidable challenge to prevailing
essentialist assumptions about 'Jewish music,' which maintain that
ethnic groups, nations, or religious communities possess an essence
that must manifest itself in art created by members of that group.
Klara Moricz scrutinizes concepts of Jewish identity and reorders
ideas about twentieth-century 'Jewish music' in three case studies:
first, Russian Jewish composers of the first two decades of the
twentieth century; second, the Swiss American Ernest Bloch; and
third, Arnold Schoenberg. Examining these composers in the context
of emerging Jewish nationalism, widespread racial theories, and
utopian tendencies in modernist art and twentieth-century politics,
Moricz describes a trajectory from paradigmatic nationalist
techniques, through assumptions about the unintended presence of
racial essences, to an abstract notion of Judaism.
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