This is the first study to explore the connections between
late-19th-century university/college composite class portraits and
the field of eugenics - which first took hold in the United States
at Harvard University. Eugenics, "Aristogenics," Photography takes
a closer look at how composite portraiture documented an idealized
"reality" of the New England social-caste experience and explains
how, when positioned in relation to the individual stories and
portraits of members of the class, the portraits reveal points of
non-conformity and rebellion with their own rhetoric.
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