The cinematographer must translate the ideas and emotions contained
in a script into something that can be physically seen and felt
onscreen, helping the director to fulfil the vision of the film.
The shots may look good, but they will not serve the story until
the composition, lenses, and lighting express, enhance, and reveal
the underlying emotions and subtext of the story. By making
physical the ideas and emotions of the story, the cinematographer
supports blocking as a visual form of the story through these
tools. Rather than delve into technical training, Basic
Cinematography helps to train the eye and heart of cinematographers
as visual storytellers, providing them with a strong foundation for
their work, so that they're ready with creative ideas and choices
on set in order to make compelling images that support the story.
The book includes tools, tables, and worksheets on how to enhance
students and experienced filmmakers with strong visual storytelling
possibilities, including such features as: Dramatic script analysis
that will help unlock blocking, composition, and lighting ideas
that reveal the visual story Ten tools of composition Psychological
impact of lenses, shot sizes, and camera movement Six elements of
lighting for visual storytelling What to look for beneath the
"hood" of cameras, including using camera log, RAW, and LUTs
Dramatic analysis chart and scene composition chart to help plan
your shoots Case studies from such visually cinematic shows and
documentaries as Netflix's Godless, Jessica Jones, The Crown, and
Chef's Table, as well as examples from classroom exercises Features
insights from the DP of Jessica Jones, Manuel Billeter, and the DP
of Chef's Table, Adam Bricker.
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