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Classical Music in the German Democratic Republic - Production and Reception (Hardcover)
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Classical Music in the German Democratic Republic - Production and Reception (Hardcover)
Series: Studies in German Literature Linguistics and Culture
Expected to ship within 12 - 17 working days
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Approaches the topic of classical music in the GDR from an
interdisciplinary perspective, questioning the assumption that
classical music functioned purely as an ideological support for the
state. Classical music in the German Democratic Republic is
commonly viewed as having functioned as an ideological support or
cultural legitimization for the state, in the form of the so-called
"bourgeois humanist inheritance." The largenumbers of professional
orchestras in the GDR were touted as a proof of the country's
culture. Classical music could be seen as the polar opposite of
Americanizing pop culture and also of musical modernism, which was
decried as formalist. Nevertheless, there were still musical
modernists in the GDR, and classical music traditions were not only
a prop of the state. This collection of new essays approaches the
topic of classical music in the GDR from an interdisciplinary
perspective, presenting the work of scholars in a number of
complementary disciplines, including German Studies, Musicology,
Aesthetics, and Film Studies. Contributors to this volume offer a
broad examination of classical music in the GDR, while also
uncovering nonconformist tendencies and questioning the assumption
that classical music in the GDR meant nothing but (socialist)
respectability. Contributors: Tatjana Boehme-Mehner, Martin Brady,
Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von
Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell,
Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L.
Yaeger, Johanna Frances Yunker Kyle Frackman is Assistant Professor
of Germanic Studies at the University of British Columbia. Larson
Powell is Professor of German at the University of Missouri-Kansas
City.
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