Eric Rohmer was a key figure in French New Wave cinema. His death
in 2010 sparked renewed interest in his diverse body of works that
span films, criticism, and television work. Contributors to this
volume - a mix of well-known and younger scholars of cinema -
visit, revisit, complicate, and at times upend accepted readings
and interpretations of perennial Rohmerian topics including the
important role of language in his films, the influence of the arts,
depictions of gender and class, and the roles played by space and
place in his films.
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