Laura Hubner's book is among the first to analyze key films
directed by Ingmar Bergman throughout his lifetime. Various kinds
of "illusion" in Bergman's work (the mask, identity, dreams, and
visions) are explored at both thematic and formal levels,
positioned within wider concerns and perspectives such as cultural
and artistic influences on Bergman's creative output, the
phenomenon of Bergman as "art film" director, debates about
modernism and postmodernism, and emerging feminist discourses on
the multiplicity of identity.
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