The study discusses J.M.G. Le ClA(c)zio's (*1940) travel writings
from the period 1985-1995 (ALe chercheur d'orA, AVoyage A
RodriguesA, ALa quarantaineA) as a project geared to poetological
self-enactment. Initiatory structure and A(c)criture are analogous
processes that bring the writing self to the limits of awareness
and language. Taking its methodological bearings from the literary
theories of C.G. Jung and Gaston Bachelard, and drawing upon dream
discourses from Romanticism and Surrealism, the analysis of figures
and imagery reveals that doppelgAnger and elemental natural spaces
are poetic projections of the origin of the text.
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