This book looks at the life and music of Veena Dhanammal (1866a
"1938), considered the embodiment of a ~classicisma (TM) in
Karnatik music. It locates her art within the cultural, social and
intellectual milieu she inhabited, allowing readers to track the
changing musical landscape of southern India, as a process of
urbanisation a " beginning in the late nineteenth century a "
resulted in Karnatik musica (TM)s movement from a ritual and
courtly location to a modern, secular form of entertainment in the
city space.
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