The book moves in a nonreductive way between literary and
theological criticism to show how drama and religious thought
discern the experience of evil. "Tragic method" refers to how
tragic art functions as inquiry; "tragic theology" refers to how
drama and theology render in thematic or symbolic form certain
irreducible dimensions of evil and negativity. Bouchard defines no
single tragic method or any single view of evil but searches for
the distinctive interplay of tragic method of theology in each
dramatist.
The work opens by scrutinizing certain important interpretations
of Greek tragedy. Paul Ricoeur's interpretation of "the Wicked God
and the Tragic Vision" receives major focus, as does Sophocles, who
as a tragedian dramatized the action of inquiry and
interpretation.
Bouchard then examines Augustine's views of evil and sin,
Reinhold Niebuhr's critique of the ironies of history, and
Tillich's conceptions of the demonic. By interpreting tragedy in
terms of sin or the effects of sin, each theologian resists
implications in his own thought pointing to a less resolvable
tragic theology. And yet these theologians also contribute very
creative understandings of the irreducible character of evil and
tragic experience.
Substantive and original readings of three playwrights are
offered: Rolf Hochhuth's tragedy of vocation, The Deputy, Robert
Lowell's trilogy of American historical blindness, The Old Glory,
and Peter Shaffer's dreams of tragic awareness and accountability
in Equus and Amadeus, revealing new permutations of the
irreducibility of evil in contemporary Christian and Jewish
religious thinkers who may be helpful in this task, and concludes
with a description of the experience of perplexed thought,
self-critical in view of tragedy's witness to irreducibility of
evil.
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