The late sixteenth and seventeenth centuries are frequently labeled
the age of theater. Throughout western Europe, the dramatic arts
attained new heights of cultural prestige, political importance,
and commercial success. This series of essays investigates the
dialogue between the newly invigorated theater and the plastic
arts. Discussed are the interactions between spectator and
spectacle, social performance and the staging of the individual,
the shaping of space and time, and the debates over the
relationship that visual and theatrical representations have to the
objects they portray.
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