A professional introduction to the end-to-end process of digital
filmmaking!The EDCF Guide to Digital Cinema Production sheds light
on the ongoing and confusing transition from analog to digital
technology in film production. In addition to a complete analysis
of technical concerns, this text deals with a number of issues
where European and Hollywood priorities differ. It adds fuel to the
discussion on "Photo-Chemical Fundamentalism" and the future of
traditional film-based cinematography.With special emphasis on new
HD production techniques for the big cinema screen, this guide is
the one and only resource available from a European perspective.
The EDCF Guide to Digital Cinema Production provides film
professionals and decisions-makers in European cinema with an
excellent basis for discussions on how to handle the transition
from analog to digital technology. Look no further for: Several
production case studies, among them Ingmar Bergman's last film
"Saraband" (2003) and Lars von Trier's "Dogville" (2003). Surveys
of HD Systems & Cameras and "The 37 MFAQ on HD Production."
Expert reports on Audio Recording for HD and the Digital
Intermediate Process. Detailed European initiatives in Digital
Cinema. An up-to-date survey of the problematic standards situation
for Digital Cinema. A comprehensive look at archiving - the
"Achilles Heel" of digital production. The pros and cons of
producing feature films digitally - a unique and professional view
of "the agony and ecstacy."Editor-in-Chief Lasse Svanberg is a
founding member of EDCF. He was DoP on 14 feature films 1966-81,
founded TM (Technolgy & Man) Magazine at the Swedish Film
Institute in 1968 and was its Chi
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