Long overlooked by scholars and critics, the history and aesthetics
of German television have only recently begun to attract serious,
sustained attention, and then largely within Germany. This
ambitious volume, the first in English on the subject, provides a
much-needed corrective in the form of penetrating essays on the
distinctive theories, practices, and social-historical contexts
that have defined television in Germany. Encompassing developments
from the dawn of the medium through the Cold War and
post-reunification, this is an essential introduction to a rich and
varied media tradition.
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