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The Technological Unconscious in German Modernist Literature - Nature in Rilke, Benn, Brecht, and Doeblin (Hardcover)
Loot Price: R1,621
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The Technological Unconscious in German Modernist Literature - Nature in Rilke, Benn, Brecht, and Doeblin (Hardcover)
Series: Studies in German Literature Linguistics and Culture
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A bold new theoretical analysis of literary modernism and its
conception of and relation to nature. Even after the end of
modernism and postmodernism, grandiose fantasies of artifice and
self-reference still resonate in the "social constructivism" of
current literary and cultural theory: in the idea that we can
perform or construct "identities" or social roles without external
constraint, as if we had consumer choice of self. Larson Powell's
book posits nature as a limit to such fantasies, redefining
aesthetic modernity's conception of and relation to nature and
therefore its relation to reality. Powell's term "the Technological
Unconscious" refers both to the intersection between psychoanalysis
and theories of modernism and to the philosophical mediation
between history and nature, a motif important from Kant to Adorno.
The book's four chapters center on the representation of nature in
German prose and -- especially -- poetry by Rilke, Benn, Brecht,
and Doeblin from the years 1900 to 1945. In connection with these
works, Powell analyzes the conceptions of subject and system in the
theories of Adorno, Luhmann, and Lacan and their relation to their
complement, nature. The Technological Unconscious is thus an
important polemical intervention both in the debates over
interdisciplinarity and in those between eclectic "culturalist"
theories such as New Historicism and postcolonialism on the one
hand and systems theory and psychoanalysis on the other. Larson
Powell is Curator's Professor of Film Studies at University of
Missouri, Kansas City.
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