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Iranian Classical Music - The Discourses and Practice of Creativity (Hardcover, New Ed)
Loot Price: R3,898
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Iranian Classical Music - The Discourses and Practice of Creativity (Hardcover, New Ed)
Series: SOAS Studies in Music
Expected to ship within 12 - 17 working days
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Questions of creativity, and particularly the processes which
underlie creative performance or 'improvisation', form some of the
central areas of interest in current musicology. Yet the
predominant discourses on which musicological thought in this area
are based have rarely been challenged. In this book Laudan Nooshin
interrogates musicological discourses of creativity from the
perspective of critical theory and postcolonial studies, examining
their ideological underpinnings, the relationships of alterity
which they sustain, and the profound implications for our
understanding of creative processes in music. The repertoire which
forms the book's main focus is Iranian classical music, a tradition
in which the performer plays a central creative role. Addressing a
number of issues regarding the nature of musical creativity, the
author explores both the discourses through which ideas about
creativity are constructed, exchanged and negotiated within this
tradition, and the practice by which new music comes into being.
For the latter she compares a number of performances by musicians
playing a range of instruments and spanning a period of more than
30 years, focusing on one particular section of repertoire, dastgah
Segah, and providing transcriptions of the performances as the
basis for analytical exploration of the music's underlying
compositional principles. This book is about understanding musical
creativity as a meaningful social practice. It is the first to
examine the ways in which ideas about tradition, authenticity,
innovation and modernity in Iranian classical music form part of a
wider social discourse on creativity, and in particular how they
inform debates regarding national and cultural identity.
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