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Homeless Dogs and Melancholy Apes - Humans and Other Animals in the Modern Literary Imagination (Paperback)
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Homeless Dogs and Melancholy Apes - Humans and Other Animals in the Modern Literary Imagination (Paperback)
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In eighteenth-century England, the encounter between humans and
other animals took a singular turn with the discovery of the great
apes and the rise of bourgeois pet keeping. These historical
changes created a new cultural and intellectual context for the
understanding and representation of animal-kind, and the nonhuman
animal has thus played a significant role in imaginative literature
from that period to the present day. In Homeless Dogs and
Melancholy Apes, Laura Brown shows how the literary works of the
eighteenth century use animal-kind to bring abstract philosophical,
ontological, and metaphysical questions into the realm of everyday
experience, affording a uniquely flexible perspective on
difference, hierarchy, intimacy, diversity, and transcendence.
Writers of this first age of the rise of the animal in the modern
literary imagination used their nonhuman characters-from the
lapdogs of Alexander Pope and his contemporaries to the
ill-mannered monkey of Frances Burney's Evelina or the ape-like
Yahoos of Jonathan Swift-to explore questions of human identity and
self-definition, human love and the experience of intimacy, and
human diversity and the boundaries of convention. Later literary
works continued to use imaginary animals to question human
conventions of form and thought. Brown pursues this engagement with
animal-kind into the nineteenth century-through works by Mary
Shelley, Charles Dickens, and Elizabeth Barrett Browning-and into
the twentieth, with a concluding account of Paul Auster's
dog-novel, Timbuktu. Auster's work suggests that-today as in the
eighteenth century-imagining other animals opens up a potential for
dissonance that creates distinctive opportunities for human
creativity.
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