The Child, the State, and the Victorian Novel traces the the
story of victimized childhood to its origins in nineteenth-century
Britain. Almost as soon as "childhood" became a distinct category,
Laura C. Berry contends, stories of children in danger were
circulated as part of larger debates about child welfare and the
role of the family in society.
Berry examines the nineteenth-century fascination with
victimized children to show how novels and reform writings
reorganize ideas of self and society as narratives of childhood
distress. Focusing on classic childhood stories such as Oliver
Twist and novels that are not conventionally associated with
particular social problems, such as Dickens's Dombey and Son, the
Bronte sisters' Wuthering Heights and The Tenant of Wildfell Hall,
and George Eliot's Adam Bede, Berry shows the ways in which fiction
that purports to deal with private life, particularly the domain of
the family, nevertheless intervenes in public and social debates.
At the same time she examines medical, legal, charitable, and
social-relief writings to show how these documents provide crucial
sources in the development of social welfare and modern
representations of the family.
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