The highly publicized obscenity trial of Radclyffe Hall's "The
Well of Loneliness" (1928) is generally recognized as the
crystallizing moment in the construction of a visible modern
English lesbian culture, marking a great divide between innocence
and deviance, private and public, New Woman and Modern Lesbian. Yet
despite unreserved agreement on the importance of this cultural
moment, previous studies often reductively distort our reading of
the formation of early twentieth-century lesbian identity, either
by neglecting to examine in detail the developments leading up to
the ban or by framing events in too broad a context against other
cultural phenomena.
"Fashioning Sapphism" locates the novelist Radclyffe Hall and
other prominent lesbians -- including the pioneer in women's
policing, Mary Allen, the artist Gluck, and the writer Bryher --
within English modernity through the multiple sites of law,
sexology, fashion, and literary and visual representation, thus
tracing the emergence of a modern English lesbian subculture in the
first two decades of the twentieth century. Drawing on extensive
new archival research, the book interrogates anew a range of myths
long accepted without question (and still in circulation)
concerning, to cite only a few, the extent of homophobia in the
1920s, the strategic deployment of sexology against sexual
minorities, and the rigidity of certain cultural codes to denote
lesbianism in public culture.
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