In recent years, San Francisco has been synonymous with gay and lesbian pride, and the various achievements of the gay and lesbian community are personified in the city by the bay. The tumultuous and ongoing struggles for this community's civil rights from the 1950s to the present are well documented, but queer culture itself goes back much further than that, in fact all the way back to the California gold rush.

The Gateways Club, at the heart of 1960s swinging London, was one of the few places where lesbian women could meet openly. This book tells its story, from its rise in the 1950s to its closure in 1985, as a secret world of escape--new clientele often found the club only by following likely members to its anonymous exterior on the Kings Road, Chelsea. Celebrities, straight and gay alike, from Diana Dors to Dusty Springfield, relished its bohemian atmosphere, and the club reached a wider audience when it was featured as a backdrop in the 1968 film "The Killing of Sister George." Included are interviews with 80 of its members, famous and not so famous. Their accounts--humorous, tragic, and erotic--reveal how life has changed during the half century since the Gateways began.

"Thoughtful and often moving." Gaby Hinsliff, The Guardian Female Masculinities and the Gender Wars provides important theoretical background and context to the 'gender wars' or 'TERF wars' - the fracture at the forefront of the LGBTQ international conversation. Using queer and female masculinities as a lens, Finn Mackay investigates the current generational shift that is refusing the previous assumed fixity of sex, gender and sexual identity. Transgender and trans rights movements are currently experiencing political backlash from within certain lesbian and lesbian feminist groups, resulting in a situation in which these two minority communities are frequently pitted against one another or perceived as diametrically opposed. Uniquely, Finn Mackay approaches this debate through the context of female masculinity, butch and transmasculine lesbian masculinities. There has been increasing interest in the study of masculinity, influenced by a popular discourse around so-called 'toxic masculinity', the rise of men's rights activism and theory and critical work on Trump's America and the MeToo movement. An increasingly important topic in political science and sociological academia, this book aims to break new ground in the discussion of the politics of gender and identity.

Barbara Hammer: Pushing Out of the Frame by Sarah Keller explores the career of experimental filmmaker and visual artist Barbara Hammer. Hammer first garnered attention in the early 1970s for a series of films representing lesbian subjects and subjectivity. Over the five decades that followed, she made almost a hundred films and solidified her position as a pioneer of queer experimental cinema and art. In the first chapter, Keller covers Hammer's late 1960s-1970s work and explores the tensions between the representation of women's bodies and contemporary feminist theory. In the second chapter, Keller charts the filmmaker's physical move from the Bay Area to New York City, resulting in shifts in her artistic mode. The third chapter turns to Hammer's primarily documentary work of the 1990s and how it engages with the places she travels, the people she meets, and the histories she explores. In the fourth chapter, Keller then considers Hammer's legacy, both through the final films of her career-which combine the methods and ideas of the earlier decades-and her efforts to solidify and shape the ways in which the work would be remembered. In the final chapter, excerpts from the author's interviews with Hammer during the last three years of her life offer intimate perspectives and reflections on her work from the filmmaker herself. Hammer's full body of work as a case study allows readers to see why a much broader notion of feminist production and artistic process is necessary to understand art made by women in the past half century. Hammer's work-classically queer and politically feminist-presses at the edges of each of those notions, pushing beyond the frames that would not contain her dynamic artistic endeavors. Keller's survey of Hammer's work is a vital text for students and scholars of film, queer studies, and art history.

This book demonstrates that everyday interactions and struggles over the right words to use are at the heart of the experience of those in same-sex marriages. At a time when same-sex marriage is on the cusp of becoming legal across the United States, the authors demonstrate through in-depth interviews and rich survey data how the use of relationship terms by married lesbians is tied to a variety of factors that influence how their identities are shaped and presented across social contexts. Via rich anecdotes of how married lesbians navigate the social sphere through their varied use or avoidance of the use of the term wife, this volume is provides groundbreaking insights into how social change is being constructed and made sense of through an examination of real-life interactions with family and friends, on the job, and across service and casual encounters. The authors introduce us to the concept of contextual identity to explain how history and social context inspire cultural change. This first-of-its-kind analysis demonstrates how the first lesbians to marry have navigated acceptance and rejection, insecurity and political strength through their use of language in daily interactions. This book will surely resonate with anyone interested in understanding how married lesbians are presenting themselves at this historical juncture where social change and linguistic nuance are colliding.

This title traces the lives of individual lesbians against the background of the politics and history of the 20th century, and shows the infinite variety of ways in which lesbians made their lives in Britain. This history has relevance to contemporary life and politics within the lesbian community. British lesbians have a long tradition of diversity, of action, of success and of pride, which is documented here.

A fascinating read for anyone seeking to understand the conflict between Christianity and LGBTQI individuals, this book is, as its editors proclaim, "a fearlessly wide vision of queer Christians finding a place within Christianity-and claiming their authentic experience and voice." Through essays by noted lesbian, gay, bisexual, transgender, queer or questioning, and intersex (LGBTQI) religion scholars, this important compilation summarizes the history and current status of LGBTQI theology, exploring its relationship to the policies, practices, and theology of traditional Christianity. Contributors contrast the "radically inclusive" thinking of LGBTQI theology with the "exclusivity" practiced by many Christian churches, explaining the reasoning of each and clarifying contentious issues. At the same time, the book highlights ways in which "queer" theology and practice benefit Christian congregations. Writing from the perspective of grassroots Christian LGBTQI movements, many of the contributors draw upon their own experiences. They provide graphic examples of the effects exclusion has on individuals, congregations, and denominations, and also share examples of inclusion and its effects. Equally important, the work creates the basis for dialogue between traditional churches and followers of LGBTQI theology, offering practical suggestions for Christian congregations that wish to put aside exclusionary policies and practices.

"Passionate and revealing love letters from the iconic lesbian novelist . . . Radclyffe Hall is getting a fresh look. . . . Glasgow has chosen these letters well and provides helpful context."
"--Kirkus Review"

"Many assumptions have been made about the degree to which Radclyffe Hall's lesbian classic, "The Well of Loneliness," may be autobiographical. Your John dismisses such notions. This exhaustive collection of letters written between 1934 and 1942 to Evguenia Souline, a White Russian emigre with whom Hall fell deeply in love are detailed, intimate records of Hall's personal life and convictions. . . . the collection is a heart-wrenching record of how politics, money, and geography converged to undermine these women's dreams."
"--Publisher's Weekly"

This landmark book represents the first publication of original writing by Radclyffe Hall, author of "The Well of Loneliness," in over 50 years.

One of the most famous and influential lesbian novelists of the twentieth century, Hall became a cause clbre in 1928, upon the publication of her novel "The Well of Loneliness," when the British government brought action on behalf of the Crown to declare the book obscene. Probably the most widely read lesbian novel ever written, the book has been continuously in print since its first publication and remains to this day an important part of the literary landscape.

Expertly deciphered and edited by Hall scholar and biographer Joanne Glasgow, Your John is a selection of Hall's love letters to Evguenia Souline, a White Russian emigre with whom Hall fell completely and passionately in love in the summer of 1934. Written between this first meeting and the onset of Hall's last illness in 1942, these letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women. It was ultimately this relationship, Glasgow argues, which tragically precipitated the decline in Hall's creative work and her health. The letters also provide important new information about her views on lesbianism and take us well beyond the artistic limits she imposed on the characters in "The Well of Loneliness." They shed light on her views on religion, politics, war, and the literary and artistic scene. Illuminating both the nature of her relationships and her views on the current politics of the time, Your John will greatly extend the range of our knowledge about Radclyffe Hall."

The weather in Moscow is good, there's no cholera, there's also no lesbian love...Brrr Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them--and that's marvellous."
--"Anton Chekhov," writing to his publisher in 1895

Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten.

Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnok's approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence.

Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life. This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgin's work is essential reading for students of Russian literature, lesbian history and women's studies.

The cultural and ethnic diversity of contemporary American society is represented in plays by women. These women playwrights of diverse backgrounds, however, are too infrequently seen on the stage or read in the classroom. This reference highlights the careers and work of more than 80 women playwrights whose writings portray the African American, Latina, Asian American and lesbian sensibility in the United States. Each profile includes a biographical sketch, a description of plays, a selected production history of each work, information on the availability of plays, awards won by the playwright, and a selected bibliography of critical articles and reviews. Introductory essays begin the volume, and the work concludes with a selected bibliography of major studies.

The ethnic and cultural diversity of the United States is well represented by contemporary dramatists. Women playwrights have made many contributions to American drama, and their plays portray a broad range of cultural experiences. These dramatists, however, are too frequently underrepresented on the stage and in the classroom. This reference book presents the African American, Latina, Asian American, and lesbian perspective in the United States. Many of the playwrights are established; others are emerging. Playwrights were selected based on the recommendations of theatre professionals and leading scholars, along with the production record of the writer and the production potential for the plays.

Included are alphabetically arranged entries for dramatists such as Maria Irene Fornes, the Five Lesbian Brothers, Adrienne Kennedy, Velina Hasu Houston, Holly Hughes, Lisa Loomer, Suzan-Lori Parks, and Wakako Yamauchi. Each entry includes a brief biographical narrative, descriptions of individual plays, a selected production history of each drama, information on the availability of both published and unpublished works, a listing of awards won by the playwright, and a selected bibliography of critical articles and reviews. The volume begins with introductory essays which overview the contributions of African American, Asian American, Latina, and lesbian women playwrights, providing a valuable context for the profiles that follow. The book concludes with a selected bibliography of major critical and scholarly studies.

Here, Bjorklund shows that Swedish literary discourses on lesbianism provocatively contrast with a widely accepted view that attitudes toward homosexuality have gradually become more tolerant. The lasting power of negative discourses upends the assumption that Sweden's progressive laws reflect progressive attitudes toward homosexuality."

This study is about lesbian feminists in London in the late 1980s. It was a period when their community was experiencing considerable conflict and transition, as ideas about gender and sexuality on which their political beliefs were based were being challenged within their own community. The book goes through their public and personal lives, looking at how they coped with the challenges and the complex world of London, and how they began to change as a result.

In reading The Lesbian Polyamory Reader: Open Relationships, Non-Monogamy, and Casual Sex, you'll quickly discover that the steps toward love and happiness are as easy as 1, 2, 3, and maybe even 4 or 5. And you'll find that if your own lesbian relationship lies outside the "traditional monogamous couple" model, you're definitely not alone. You'll explore many multifaceted and multifarious love relationships, each one applicable to your own liking, if you so choose. You'll find successful models of relationship styles--regardless of your own orientation--from cover to cover, and you'll discover the pleasing polyphony in the many, many female voices of authorities on love and love relationships.Whereas other similar studies project the limited view of one or two authors, The Lesbian Polyamory Reader calls upon a broad scope of writers, professional women and academics alike. You'll see that outside the gay rights movement that currently pushes for a traditional, monogamous marriage model of gay couplehood, there lies pleasing multiplicity in the arms and hearts of lesbians worldwide. Specifically, this collection offers: "first person" articles--stories that describe a variety of lesbian experiences relating to multiple lovers in the 1970s, '80s, and '90s "how-to" articles--descriptions of the various polyamorous relationship configurations, including ways of dealing with jealousy "theoretical" pieces--the history of multiple relationships, the social implications of practicing a love style other than monogamous coupling, and safer sex considerations Much, much more than a book on personal satisfaction, The Lesbian Polyamory Reader also focuses on the social implications of this love phenomenon, bringing it into a more inclusive circle of discussion for lesbians, educators, and students of sociology and sexology. You'll find satisfaction in seeing the love so many lesbian women have achieved by not mimicking the "marriage model" of living.

Friends as lovers; lovers as friends; ex-lovers as friends; ex-lovers as family; friends as family; communities of friends; lesbian community. These are just a few of the phrases heard often in the daily discourse of lesbian life. What significance do they have for lesbians? Do lesbians view friends as family and what does this analogy mean? What sorts of friendships exist between lesbians? What sorts of friendships do lesbians form with non-lesbian women, or with men?

These and other questions regarding the kinds of friendships lesbians imagine and experience have rarely been addressed. Lesbian Friendships focuses on actual accounts of friendships involving lesbians and examines a number of issues, including the transition from friends to lovers and/or lovers to friends, erotic attraction in friendship, diverse identities among lesbians, and friendships across sexuality and/or gender lines.

An examination of how female same-sex desires were represented in a wide range of Italian and British medical writings, 1870-1920. It shows how the psychiatric category of sexual inversion was positioned alongside other medical ideas of same-sex desires, such as the virago, tribade-prostitute, fiamma and gynaecological explanations.

"Eileen Barrett and Patricia Cramer have put together an excellent collection of original articles which demonstrates the range of lesbian literary scholarship as a field and the important nuance and insight it is contributing to our knowledge of Woolf's life and writing in particular."--"Woolf Studies Annual"

The last two decades have seen a resurgence of critical and popular attention to Virginia Woolf's life and work. Such traditional institutions as "The New York Review of Books" now pair her with William Shakespeare in promotional advertisements; her face is used to sell everything from Barnes & Noble books to Bass Ale.

Virginia Woolf: Lesbian Readings represents the first book devoted to Woolf's lesbianism. Divided into two sections, Lesbian Intersections and Lesbian Readings of Woolf's Novels, these essays focus on how Woolf's private and public experience and knowledge of same-sex love influences her shorter fiction and novels. Lesbian Intersections includes personal narratives that trace the experience of reading Woolf through the 60s, 70s, 80s, and 90s. Lesbian Readings of Woolf's Novels provides lesbian interpretations of the individual novels, including "Orlando, The Waves," and "The Years,"

Breaking new ground in our understanding of the role Woolf's love for women plays in her major writing, these essays shift the emphasis of lesbian interpretations from Woolf's life to her work.

Este libro es una declaraci n de amor, un dolor abierto al desamor, el desnudar el alma y dejar al descubierto todos y cada uno de los sentimientos.

This innovative study claims camp as a critical, yet pleasurable strategy for women's engagement with contemporary popular culture as exemplified by 30 Rock or Lady Gaga. In detailed analyses of lesbian cinema, postfeminist TV, and popular music, the book offers a novel take on its subject. It defines camp as a unique mode of detached attachment, which builds on affective intensity and emotional investment, while strongly encouraging a critical edge.

"A vivid analysis of how many Latin Americans have crafted alternative modes of understanding sexuality."
--"Hispanic American Historical Review"

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh.

Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out.

Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.

When has using the term "lesbian" "not" been considered an anachronistic gesture? This question lies at the heart of this important new collection of essays. "The Lesbian Premodern" engages key scholars in lesbian studies and queer theory in an innovative conversation in print. Transgressing traditional period boundaries, "The Lesbian Premodern" scholars to pay full attention to significant and often overlooked theoretical, empirical, and textual work on female same-sex desire and identity in premodern cultures. This provocative book offers a radical new methodology for writing theories and histories of sexuality.