Using a rich array of oral histories and archival sources, Tomboys and bachelor girls provides the first detailed academic study of lesbian identity and culture in post-war Britain. Described by psychiatrists as immature and neurotic, and widely ignored as taboo by mainstream society, lesbians nevertheless recognised and accepted their same-sex desire and sought out women like themselves. Challenging the conventional picture of the post-war decades as years of austerity and conservative femininity, this book traces the emergence of a vibrant lesbian social scene in Britain, centred on the metropolitan nightclubs of post-war London, but also developing across the country, through lesbian magazines and social organisations. This fascinating book brings to life the rich history of post-war lesbian culture for the scholarly and general reader alike. -- .

Sexual identity has emerged into the national discourse of post-apartheid South Africa, bringing the subject of rights and the question of gender relations and cultural authenticity into the focus of the nation state s politics. This book is a fascinating reflection on the effects of these discourses on non-normative modes of sexuality and intimacy and on the country more generally. While in 1996, South Africa became the first country in the world that explicitly incorporated lesbian and gay rights within a Bill of Rights, much of the country has continued to see homosexuality as un-African. Henriette Gunkel examines how colonialism and apartheid have historically shaped constructions of gender and sexuality and how these concepts have not only been re-introduced and shaped by understandings of homosexuality as un-African but also by the post-apartheid constitution and continued discourse within the nation.

This book forms an introduction to the rapidly growing field of lesbian studies. Steering a middle course between 'high theory' and detailed textual analysis, it provides both those new to the field and more experienced readers in lesbian/gay and feminist scholarship with original insights into the contradictory meanings of lesbian sexuality in Western culture.

Exploring different cultural forms, including twentieth-century fiction and Hollywood cinema, Hoogland addresses topical theoretical questions concerning the shifting significance of lesbian sexuality as they arise from careful textual analyses. Among the examples discussed are Alice Walker's "The Color Purple, "Sylvia Plath's "The Bell Jar, "and the Hollywood thriller "Basic Instinct. "Guiding concerns are the interrelations between knowledge and desire, between sexuality and gender, and the violent operation of heterosexual ideologies. Adopting a psychoanalytical perspective, Hoogland concludes by critically interrogating feminism's ambivalent stakes in female same-sex desire.

"Lesbian Configurations "is both a valuable introduction to an expanding field and an original contribution to current debates.

In this cutting edge volume, Wallace identifies a unique trend in post-Production Code films that deal with lesbian content: stories of lesbianism invariably engage with an apartment setting, a spatial motif not typically associated with lesbian history or cultural representation. Through the formal analysis of five lesbian apartment films, Wallace demonstrates how the standard repertoire of visual techniques and spatial devices (the elements of mise-en-sc?ne, favoured locations and sets, classical systems of editing, and the implied story world itself) are used to scaffold female sexual visibility. With its sustained focus on the filmic syntax surrounding lesbian representation on screen in the post-Production Code era, the book comprises an original contribution to queer film studies. In addition, Wallace also deploys its discussion of lesbianism and cinematic space to critique a number of tendencies in contemporary social theory, particularly the theoretical identification of public sex cultures as the basis for a queer counterpublic sphere.

"A vivid analysis of how many Latin Americans have crafted alternative modes of understanding sexuality."
--"Hispanic American Historical Review"

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh.

Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out.

Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.

Crossfire collects Staceyann Chin's empowering, feminist-LGBTQ-Caribbean, activist-driven poetry for the first time in a single book. According to The New York Times, Chin is "sassy, rageful and sometimes softly self-mocking." The Advocate says that her poems, "combine hilarious one-liners with a refusal to conform" and note "Chin is out to confront more than just the straight world."

Acts of Gaiety explores the mirthful modes of political performance by LGBT artists, activists, and collectives that have inspired and sustained deadly serious struggles for revolutionary change. The book explores antics such as camp, kitsch, drag, guerrilla theatre, zap actions, rallies, manifestos, pageants, and parades alongside more familiar forms of ""legitimate theatre."" Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously by mainstream society, Acts of Gaiety seeks to reanimate notions of ""gaiety"" as a political value for LGBT activism. The book mines the archives of lesbian-feminist activism of the 1960s-70s, highlighting the outrageous gaiety that lay at the centre of the social and theatrical performances of the era and uncovering original documents long thought to be lost. Juxtaposing historical figures such as Valerie Solanas and Jill Johnston with more recent performers and activists (including Hothead Paisan, Bitch & Animal, and the Five Lesbian Brothers), Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.

Novel Approaches to Lesbian History tells a tale about history and community in our allegedly post-identity era, examining contemporary novels that depict lesbian characters in recognizable historical situations. These imaginative stories provide a politically vital, speculative past in the face of a sketchy, problematic archive. Among the memorable characters in some 200 novels are pirates, cowgirls, and famous artists, ghosts and time travellers, immigrants and lovers. The best lesbian historical novels are conscientious and buoyant as they engage critical historiographical questions, but Novel Approaches also discusses the class and race biases that weigh on the genre. Some lesbian historical novels are based on archival evidence, others on conjecture or fantasy, but all convey the true fact that identity is elusive without a past, without which its future is nearly impossible.

As the 1960s recede further into our collective memory, curiosity and nostalgia for this groovy, flower-powered decade persists. Many books have charted the social history of this tumultuous time, but none have provided queer readings of the icons and iconoclasts that peopled its stage. The Queer Sixties assembles an impressive group of cultural critics to go against the grain of 1960s studies, and proposes new and different ways of looking at the queer cultural and subcultural expression of the last decade before the closet doors swung open. A magical mystery tour, this collection reveals the queer in the Beatles and Jim Morrison, unearths the cultural power of lesbian and gay pulp fiction, and reads the queer in Myra Breckinridge, In Cold Blood, and Another Country, among others. Imbued with the zeitgeist of the 60s, this playful and powerful collection rescues the persistence of the queer imaginary.

This book forms an introduction to the rapidly growing field of lesbian studies. Steering a middle course between 'high theory' and detailed textual analysis, it provides both those new to the field and more experienced readers in lesbian/gay and feminist scholarship with original insights into the contradictory meanings of lesbian sexuality in Western culture.

Exploring different cultural forms, including twentieth-century fiction and Hollywood cinema, Hoogland addresses topical theoretical questions concerning the shifting significance of lesbian sexuality as they arise from careful textual analyses. Among the examples discussed are Alice Walker's "The Color Purple, "Sylvia Plath's "The Bell Jar, "and the Hollywood thriller "Basic Instinct. "Guiding concerns are the interrelations between knowledge and desire, between sexuality and gender, and the violent operation of heterosexual ideologies. Adopting a psychoanalytical perspective, Hoogland concludes by critically interrogating feminism's ambivalent stakes in female same-sex desire.

"Lesbian Configurations "is both a valuable introduction to an expanding field and an original contribution to current debates.

The period of reform, revolution, and reaction that characterized seventeenth- and eighteenth-century Europe also witnessed an intensified interest in lesbians. In scientific treatises and orientalist travelogues, in French court gossip and Dutch court records, in passionate verse, in the rising novel, and in cross-dressed flirtations on the English and Spanish stage, poets, playwrights, philosophers, and pundits were placing sapphic relations before the public eye. In "The Sexuality of History," Susan S. Lanser demonstrates how intimacies between women became harbingers of the modern, bringing the sapphic into the mainstream of some of the most significant events in Western Europe. Ideas about female same-sex relations became a focal point for intellectual and cultural contests between authority and liberty, power and difference, desire and duty, mobility and change, and order and governance. Lanser explores the ways in which a historically specific interest in lesbians intersected with, and stimulated, systemic concerns that would seem to have little to do with sexuality. Departing from the prevailing trend of queer reading, whereby scholars ferret out hidden content in "closeted" texts, Lanser situates overtly erotic representations within wider spheres of interest. "The Sexuality of History" shows that just as we can understand sexuality by studying the past, so too can we understand the past by studying sexuality.

This book uncovers some of the major moments in the fragile and still poorly known herstory of feminist lesbian engagement in Serbia and Croatia. By treating the trauma of war, homophobia, and neoliberal capitalism as a verbally impenetrable experience that longs to be narrated, this monograph explores the ways in which feminist lesbian language has repeatedly emerged in the context of strong patriarchal silencing that has surrounded the armed conflicts of the Yugoslav succession. With an abundance of empirical material, Bilic illuminates a range of courageous but sometimes contested and controversial activist responses to the challenges posed by the violent intersection of misogyny, lesbophobia, poverty, and nationalism. The book renders visible a surprising diversity of activist initiatives and the resilience of transnational affective ties, which testify to the creativity of lesbian activist mobilisations in the ambivalent semi-peripheral space that used to be Yugoslavia. Trauma, Violence, and Lesbian Agency in Croatia and Serbia will be of interest to scholars and students researching the history and politics of Eastern Europe, as well as to those working in the fields of political sociology, lesbian and gay studies, gender studies, and queer theory and activism.

Drawing on original research from medical texts, psychiatric case histories, pioneering statistical surveys, first-person accounts, legal cases, sensationalist journalism, and legislative debates, Jennifer Terry has written a nuanced and textured history of how the century-old obsession with homosexuality is deeply tied to changing American anxieties about social and sexual order in the modern age.
Terry's overarching argument is compelling: that homosexuality served as a marker of the "abnormal" against which malleable, tenuous, and often contradictory concepts of the "normal" were defined. One of the few histories to take into consideration homosexuality in both women and men, Terry's work also stands out in its refusal to erase the agency of people classified as abnormal. She documents the myriad ways that gays, lesbians, and other sexual minorities have coauthored, resisted, and transformed the most powerful and authoritative modern truths about sex. Proposing this history as a "useable past," "An American Obsession" is an indispensable contribution to the study of American cultural history.

This book takes the globally recognised phenomenon of drag king performances as an opportunity for critical inquiry into the rise and fall of an urban scene for lesbian and queer women in Sydney, Australia (circa 1999-2012). Exploring how a series of weekly events provided the site for intimate encounters, Drysdale reveals the investments made by participants that worked to sustain the sense of a small world and anchor the expansive imaginary of lesbian cultural life. But what happens when scenes fade, as they invariably do? Intimate Investments in Drag King Cultures is unique in capturing the perspective of a scene at the moment of its decline, revealing the process by which a contemporary movement becomes layered with historical significance. Bringing together the theoretical tradition of scene studies with recent work on the affective potentialities of the everyday and the mobile urban spaces they inhabit, this book has appeal to scholars working across gender, sexuality and culture.

What does it mean to be queer and Asian American at the turn of the century? The writers, activists, essayists, and artists who contribute to this volume consider how Asian American racial identity and queer sexuality interconnect in mutually shaping and complicating ways. Their collective aim (in the words of the editors) is \u0022to articulate a new conception of Asian American racial identity, its heterogeneity, hybridity, and multiplicity -- concepts that after all underpinned the Asian American moniker from its very inception.\u0022 Q & A approaches matters of identity from a variety of points of view and academic disciplines in order to explore the multiple crossings of race and ethnicity with sexuality and gender. Drawing together the work of visual artists, fiction writers, community organizers, scholars, and participants in roundtable discussions, the collection gathers an array of voices and experiences that represent the emerging communities of a queer Asian America. Collectively, these contributors contend that Asian American studies needs to be more attentive to issues of sexuality and that queer studies needs to be more attentive to other aspects of difference, especially race and ethnicity. Vigorously rejecting the notion that a symmetrical relationship between race and homosexuality would weaken lesbian/gay and queer movements, the editors refuse to \u0022believe that a desirably queer world is one in which we remain perpetual aliens -- queer houseguests -- in a queer nation.\u0022

As the first full-length study of the history of sexuality in America, "Intimate Matters" offered trenchant insights into the sexual behavior of Americans from colonial times to the present. Now, twenty-five years after its first publication, this ground-breaking classic is back in a crucial and updated third edition. With new and extended chapters, John D'Emilio and Estelle B. Freedman give us an even deeper understanding of how sexuality has dramatically influenced politics and culture throughout our history and into the present. Hailed by critics for its comprehensive approach and noted by the US Supreme Court in the landmark Lawrence v. Texas ruling, "Intimate Matters" details the changes in sexuality and the ongoing growth of individual freedoms in the United States through meticulous research and lucid prose.

E. Patrick Johnson's Honeypot opens with the fictional trickster character Miss B. barging into the home of Dr. EPJ, informing him that he has been chosen to collect and share the stories of her people. With little explanation, she whisks the reluctant Dr. EPJ away to the women-only world of Hymen, where she serves as his tour guide as he bears witness to the real-life stories of queer Black women throughout the American South. The women he meets come from all walks of life and recount their experiences on topics ranging from coming out and falling in love to mother/daughter relationships, religion, and political activism. As Dr. EPJ hears these stories, he must grapple with his privilege as a man and as an academic, and in the process he gains insights into patriarchy, class, sex, gender, and the challenges these women face. Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.

In early twentieth-century China, age-old traditions of homosocial and homoerotic relationships between women suddenly became an issue of widespread public concern. Discussed formerly in terms of friendship and sisterhood, these relationships came to be associated with feminism, on the one hand, and psychobiological perversion, on the other--a radical shift whose origins have long been unclear.
In this first ever book-length study of Chinese lesbians, Tze-lan D. Sang convincingly ties the debate over female same-sex love in China to the emergence of Chinese modernity. As women's participation in social, economic, and political affairs grew, Sang argues, so too did the societal significance of their romantic and sexual relations. Focusing especially on literature by or about women-preferring women, Sang traces the history of female same-sex relations in China from the late imperial period (1600-1911) through the Republican era (1912-1949). She ends by examining the reemergence of public debate on lesbians in China after Mao and in Taiwan after martial law, including the important roles played by globalization and identity politics.

The highly publicized obscenity trial of Radclyffe Hall's "The Well of Loneliness" (1928) is generally recognized as the crystallizing moment in the construction of a visible modern English lesbian culture, marking a great divide between innocence and deviance, private and public, New Woman and Modern Lesbian. Yet despite unreserved agreement on the importance of this cultural moment, previous studies often reductively distort our reading of the formation of early twentieth-century lesbian identity, either by neglecting to examine in detail the developments leading up to the ban or by framing events in too broad a context against other cultural phenomena.

"Fashioning Sapphism" locates the novelist Radclyffe Hall and other prominent lesbians -- including the pioneer in women's policing, Mary Allen, the artist Gluck, and the writer Bryher -- within English modernity through the multiple sites of law, sexology, fashion, and literary and visual representation, thus tracing the emergence of a modern English lesbian subculture in the first two decades of the twentieth century. Drawing on extensive new archival research, the book interrogates anew a range of myths long accepted without question (and still in circulation) concerning, to cite only a few, the extent of homophobia in the 1920s, the strategic deployment of sexology against sexual minorities, and the rigidity of certain cultural codes to denote lesbianism in public culture.

This unique book sheds new light on the most invisible members of the lesbian, gay, bisexual and transgender (LGBT) community. Hidden from view by a combination of prevailing cultural assumptions and their own unwillingness to be seen, older lesbians have been consistently under-represented in both popular culture and research. This ground-breaking study, based on an unprecedentedly large research sample of nearly four hundred lesbian-identified women between the ages of 60 and 90, offers a fascinating insight into the lives of older lesbians in the UK. Drawing on data from a comprehensive questionnaire survey and illustrated with vivid personal testimonies, it explores both the diversity and the distinct collective identity of the older lesbian community, arguing that understanding their past experience is crucial to providing for their needs in the future. It is essential reading for scholars in the fields of women's studies and genders and sexualities, and will also appeal to sociologists, political scientists, anthropologists, social and cultural historians, and experts in ageing, gerontology, nursing and social work.