"Lifting the Spiritual Self-Esteem of the LGBT Community" is written for all people-whether heterosexual or members of the LGBT community-who are disgusted with the judgmental and discriminatory way that religions project and impose their beliefs onto the lives of others in the self-righteous name of God. Author Khepra Ka-Re Amente Anu provides source material for readers to counter and fight back against religious institutions, organizations, and individuals who condemn any lifestyle that does not conform to their own narrow ideology. He offers a critique of the man-made, mythological religions of Africa-Egypt/Ethiopia, Hinduism, Buddhism, Judaism, Christianity, and Islam.

With the exception of Buddhism, religions are violent; the scriptures of Christianity, Judaism, and Islam are manuals that provide instructional and operational guidelines for the enslavement of humans. Hinduism promotes a brutal and discriminatory caste system, while Christianity and Judaism give instructions about enslaving children, breeding male and female slaves, and the beating and killing of slaves.

No benevolent God would approve of violence or slavery. Religions are nothing more than man-made myths that should be cast in the same light as Santa Claus, Peter Pan, or Tinker Bell.

Passions Between Women looks at stories of lesbian desires, acts and identities from the Restoration to the beginning of the nineteenth century. Far from being invisible, the figure of the woman who felt passion for women in this period was a subject of confusion and contradiction: she could be put in a freak show as a 'hermaphrodite', denounced as a 'tribade' or 'lesbian', revered as a 'romantic friend', jailed as a 'female husband' or gossiped about as a 'woman-lover', 'tommy' or 'Sapphist'. Through an examination of a wealth of new medical, legal and erotic source material, together with re-readings of classics of English literature, Emma Donoghue, author of the bestselling Room, uncovers the astonishing range of lesbian and bisexual identities described in British texts between 1668 and 1801. Female pirates and spiritual mentors, chambermaids and queens, poets and prostitutes, country idylls and whipping clubs all take their place in an intriguing panorama of lesbian lives and loves. 'Controversial, erotic and radical, Emma Donoghue's lesbian voyage of exploration outlines an astonishing spectrum of gender rebellion which creates a new map of eighteenth-century sexual territories and identities.' - Patricia Duncker, author of Hallucinating Foucault.

In January 2004, Showtime debuted The L Word, the first prime-time commercial drama to centre around lesbian characters. Over the course of six seasons, the show depicted the lives and loves of an evolving circle of friends in West Hollywood, California, and was widely read as evidence of changing social attitudes toward gay people. Building on immediate critical attention, the show reigned as Showtime's most popular for its first three seasons and earned a large and enthusiastic audience. In The L Word, author Margaret T. McFadden argues that the show is important for its subject matter, its extended and deeply literate commentary on the history of representation of lesbians in popular media, and the formal innovations it deployed to rewrite that history. McFadden shows that the programme's creators, led by executive producer Ilene Chaiken, were well aware of the assumptions and expectations that viewers would bring to it after a history of stereotypical depictions of lesbians on television. They sought to satisfy a diverse group of viewers who wanted honest and appealing portrayals of their lives while still attracting a large enough mainstream audience to make The L Word commercially viable. In five chapters, McFadden explores how the show tackled these problems of representation by using reflexivity as a strategy to make meaning, undertaking a complicitous critique of Hollywood, skillfully using a soap-drama format to draw in its audience and ultimately creating its own complex representation of a lesbian community. While deconstructing the history of misrepresentation of lesbians, The L Word's new modes of storytelling and new perspectives made many aspects of lesbian experience, history and culture visible to a large audience. Fans of the show as well as readers interested in cultural studies and gay and lesbian pop cultural history will enjoy this astute volume.

Book Description In 1979, Joanne Fleisher was leading the life of a typical suburban wife and mother. That is, until she fell in love with a female friend and her world was turned upside down. In Living Two Lives, Fleisher draws on her experiences, as well as on those of readers of her "Ask Joanne" advice column and support community (www.lavendervisions.com), to create a guide for women grappling with the difficult process of coming out while being married to a man. This second edition of Living Two Lives notes the many changes that have occurred since the original publication in 2005. Gays and lesbians are more visible in the media, in political discourse, and popular trends. Yet married women who come out later in life still feel confused and isolated; they face the burden of possibly breaking up a family and of changing their sexual identity. Fleisher updates the discussion of sexual identity, delves deeper into lesbian relationships, issues of coming out when older or without a partner, and the joys and challenges of stepfamilies. The expanded Resources section of this edition helps readers negotiate evolving internet and multimedia information to address their primary concerns. A licensed clinical social worker, Fleisher has conducted married women's weekend conferences, individual and couple therapy sessions, and national and international consultations for women who are navigating this journey of awakening. She brings a wealth of insight to this guide, addressing such issues as initial feelings of same-sex attraction, coming out to husbands and children, managing the roller coaster of emotions, making life-altering decisions, exploring lifestyle options, and moving into a new chapter of life.

Poetry. LGBT Studies. "If we ever forgot that sisterhood is powerful, Julie R. Enszer's poetry reminds us--with frank wit, grief, compassion, and a clear sense of the joy and burden of love. Enszer is a poet of the body, of family, of 'the sighs and bellows of the heart, ' of music, of travel, of breast cancer, of the plague of AIDS, of black stockings worn to funerals. As the elegist of her lost sister, Enszer writes, 'She should be telling this story. / She was more descriptive than I.' As celebrant of the revolution that opened our society to the pleasures and realities of queerness, she writes of 'the look of defiance in our eyes' and remembers, 'Once we were the match / Once we were the flames.' SISTERHOOD gives off a good heat."--Alicia Ostriker

Susan's childhood dream of becoming a mother has not diminished with the revelation, alarming both to herself and her bewildered family, that she does, in fact, 'bat for the other team'. Having made peace with her identity and having finally found a beloved partner, she is now faced with a daunting problem: with no penis around, how the hell do you make babies?

Time is of the essence: at 34 years old, Susan cannot afford to waste another moment. And so begins an unconventional journey to parenthood with some agonising decisions along the way. Should she accept help from a close and willing friend or go the anonymous sperm donor route? What are the legal and psychological implications of her options? How will her child be affected?

Told with disarming honesty, Making Finn is a warm, witty and moving first-person account of two women's quest to create a family.

In "Queer Activism in India," Naisargi N. Dave examines the formation of lesbian communities in India from the 1980s to the early 2000s. Based on ethnographic research conducted with activist organizations in Delhi, a body of letters written by lesbian women, and research with lesbian communities and queer activist groups across the country, Dave studies the everyday practices that constitute queer activism in India.

Dave argues that activism is an ethical practice comprising critique, invention, and relational practice. She investigates the relationship between the ethics of activism and the existing social norms and conditions from which activism emerges. Through her analysis of different networks and institutions, Dave documents how activism oscillates between the potential for new social arrangements and the questions that arise once the activists' goals have been achieved. "Queer Activism" in India addresses a relevant and timely phenomenon and makes an important contribution to the anthropology of queer communities, social movements, affect, and ethics.

Ever wondered why there's no female voice as bold, erotic, unflinching, and revealing as Norman Mailer, Henry Miller, or Philip Roth? There is. It belongs to Susie Bright. From fearful Irish Catholic Girl Scout to gun-toting teenage revolutionary -- and finally the The Avatar of American Erotica (The New York Times) -- Bright's life story is shaped as much by America's sexual awakening as the national sexual landscape was altered by Bright herself. In Big Sex Little Death, Bright introduces us to her influences and experiences, including her early involvement with notorious high school radicals The Red Tide, as well as the magazine she cofounded in the 1980s, On Our Backs -- which turned the lesbian and bisexual community upside down before it took the straight world by storm. Explosive yet intimate, Big Sex Little Death is pure Susie: bold, free-spirited, and unpredictable -- larger than life, yet utterly true to life.

Este libro es una declaraci n de amor, un dolor abierto al desamor, el desnudar el alma y dejar al descubierto todos y cada uno de los sentimientos.

This collection of classic titles by Beauvoir her most well know writings, The Second Sex and The Ethics Of Ambiguity as well as a biography of her life and a rare interview on her book The Second Sex. French writer and feminist, and Existentialist. She is known primarily for her treatise The Second Sex (1949), a scholarly and passionate plea for the abolition of what she called the myth of the "eternal feminine." It became a classic of feminist literature during the 1960s. Her novels expounded the major Existential themes, demonstrating her conception of the writer's commitment to the times. She Came To Stay (1943) treats the difficult problem of the relationship of a conscience to "the other." Of her other works of fiction, perhaps the best known is The Mandarins (1954), a chronicle of the attempts of post-World War II intellectuals to leave their "mandarin" (educated elite) status and engage in political activism. She also wrote four books of philosophy, including The Ethics of Ambiguity (1947). Several volumes of her work are devoted to autobiography which constitute a telling portrait of French intellectual life from the 1930s to the 1970s. In addition to treating feminist issues, de Beauvoir was concerned with the issue of aging, which she addressed in A Very Easy Death (1964), on her mother's death in a hospital. In 1981 she wrote A Farewell to Sartre, a painful account of Sartre's last years. Simone de Beauvoir revealed herself as a woman of formidable courage and integrity, whose life supported her thesis: the basic options of an individual must be made on the premises of an equal vocation for man and woman founded on a common structure of their being, independent of their sexuality. Table of Contents: The Second Sex, On the publication of The Second Sex, interview The Ethics of Ambiguity, Biography

In his bestselling book "The Grapevine: A Report on the Secret World of the Lesbian" (1965), Jess Stearn announced that, contrary to the assumptions of many Americans, most lesbians appeared indistinguishable from other women. They could mingle "congenially in conventional society." Some were popular sex symbols; some were married to unsuspecting husbands. Robert J. Corber contends that "The Grapevine "exemplified a homophobic Cold War discourse that portrayed the femme as an invisible threat to the nation. Underlying this panic was the widespread fear that college-educated women would reject marriage and motherhood as aspirations, weakening the American family and compromising the nation's ability to defeat totalitarianism. Corber argues that Cold War homophobia transformed ideas about lesbianism in the United States. In the early twentieth century, homophobic discourse had focused on gender identity: the lesbian was a masculine woman. During the Cold War, the lesbian was reconceived as a woman attracted to other women. Corber develops his argument by analyzing representations of lesbianism in Hollywood movies of the 1950s and 1960s, and in the careers of some of the era's biggest female stars. He examines treatments of the femme in "All About Eve," "The Children's Hour," and "Marnie," and he explores the impact of Cold War homophobia on the careers of Joan Crawford, Bette Davis, and Doris Day.

In late nineteenth-century England, "mannish" women were considered socially deviant but not homosexual. A half-century later, such masculinity equaled lesbianism in the public imagination. How did this shift occur? "Citizen, Invert, Queer" illustrates that the equation of female masculinity with female homosexuality is a relatively recent phenomenon, a result of changes in national and racial as well as sexual discourses in early twentieth-century public culture. Incorporating cultural histories of prewar women's suffrage debates, British sexology, women's work on the home front during World War I, and discussions of interwar literary representations of female homosexuality, Deborah Cohler maps the emergence of lesbian representations in relation to the decline of empire and the rise of eugenics in England. Cohler integrates discussions of the histories of male and female same-sex erotics in her readings of New Woman, representations of male and female suffragists, wartime trials of pacifist novelists and seditious artists, and the interwar infamy of novels such as Radclyffe Hall's "The Well of Loneliness" and Virginia Woolf's "Orlando." By examining the shifting intersections of nationalism and sexuality before, during, and after the Great War, this book illuminates profound transformations in our ideas about female homosexuality.

Melissa M. Wilcox explores the complex spiritual lives of queer women in the Los Angeles area. She takes the reader on a tour of a colorful array of religious and secular groups that serve as spiritual resources for these women from the well-known Metropolitan Community Churches to Wiccan covens, from the Gay and Lesbian Sierrans to the Sisters of Perpetual Indulgence. Arguing that these women's stories are exemplary cases of postmodern patterns of religious identity, belief, and practice, Wilcox offers a nuanced analysis of contemporary Western spirituality and selfhood, and a detailed exploration of the history of queer religious organizing in Los Angeles. Queer Women and Religious Individualism is important reading for scholars in religious studies, sociology, women's studies, and LGBT studies."

Visible: A Femmethology, the only two-volume anthology devoted to femme identity, calls the LGBTQI community on its prejudices and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femmedom.

Visible: A Femmethology, the only two-volume anthology devoted to femme identity, calls the LGBTQI community on its prejudices and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femmedom.

Increasingly in mainstream discourse and rhetoric, there only seems to be one very serious and conservative face to Islam, Muslim communities, and their governments. Mainstream modern Islamic hermeneutics condemn homosexual orientations, sometimes with punishments as severe as death. Nevertheless, there were also instances in Muslim history, culture, and society where religiosity was playful not punitive, where the sexual body was inscribed with markers of pleasure not those of perdition. Exploring instances within the Arabian Islamic Empire that negate impressions about Muslim cultures as eternally monolithic, conservative, and orthodox, we can come to a better and more nuanced understanding of the complexities of former and contemporary Muslim civilizations. The question of gay and lesbian human rights in the Muslim world is a topical and pressing one, and the need now for alternative ways of approaching Islam in the modern world is more important than ever. The answers to today's modern crisis in human rights for LGBTIQ people lies in looking at the past and highlighting elements that can assist in the creation of a more equitable future. This publication discovers and brings to the English reader an array of surviving texts penned by Muslim scholars discussing female samesex desire. From the tolerant days of the Abbasid caliphate to the celebratory text of Yusuf Tifashi in the thirteenth century and onwards toward growing strictures and greater intolerance, Arabo-Islamic Texts reveals a dynamic and lively discourse on sexuality in the Arabo-Islamic empire. The English translation of a lecture delivered in Arabic in Haifa by Samar Habib is also included in this book.

As the first full-length study of the history of sexuality in America, "Intimate Matters" offered trenchant insights into the sexual behavior of Americans from colonial times to the present. Now, twenty-five years after its first publication, this ground-breaking classic is back in a crucial and updated third edition. With new and extended chapters, John D'Emilio and Estelle B. Freedman give us an even deeper understanding of how sexuality has dramatically influenced politics and culture throughout our history and into the present. Hailed by critics for its comprehensive approach and noted by the US Supreme Court in the landmark Lawrence v. Texas ruling, "Intimate Matters" details the changes in sexuality and the ongoing growth of individual freedoms in the United States through meticulous research and lucid prose.

An autobiographic faith journey of a lesbian couple as they deal with breast cancer and their God given sexual orientation. Darlene was a former leader in the ex-gay movement and her journey into truth will move you deeply.

A vibrant, growing, and highly visible set of female identities has emerged in Thailand known as tom and dee. A ""tom"" (from ""tomboy"") refers to a masculine woman who is sexually involved with a feminine partner, or ""dee"" (from ""lady""). The patterning of female same-sex relationships into masculine and feminine pairs, coupled with the use of English-derived terms to refer to them, is found throughout East and Southeast Asia. Have the forces of capitalism facilitated the dissemination of Western-style gay and lesbian identities throughout the developing world as some theories of transnationalism suggest? Is the emergence of toms and dees over the past twenty-five years a sign that this has occurred in Thailand? Megan Sinnott engages these issues by examining the local culture and historical context of female same-sex eroticism and female masculinity in Thailand. Drawing on a broad spectrum of anthropological literature, Sinnott situates Thai tom and dee subculture within the global trend of increasingly hybridized sexual and gender identities.

Since 1958, twenty-five men and two women have forced the Supreme Court to consider whether the Constitution's promises of equal protection apply to gay Americans. Here Joyce Murdoch and Deb Price reveal how the nation's highest court has reacted to these cases--from the surprising 1958 victory of a tiny homosexual magazine to the 2000 defeat of a gay Eagle Scout. A triumph of investigative reporting, Courting Justice gives us an inspiring new perspective on the struggle for civil rights in America.

A woman raping another woman is unthinkable. This is not how women behave, society tells us. Our legal system is not equipped to handle woman-to-woman sexual assault, our women's services do not have the resources or even the words to reach out to its victims, and our lesbian and gay communities face hurdles in acknowledging its existence. Already dealing with complex issues related to their sexual identities, and frequently overwhelmed by shame, lesbian and bisexual survivors of such violence are among the most isolated of crime victims.
In a work that is sure to stir controversy, Lori B. Girshick exposes the shocking, hidden reality of woman-to-woman sexual violence and gives voice to the abused. Drawing on a nationwide survey and in-depth interviews, Girshick explores the experiences and reflections of seventy women, documenting what happened to them, how they responded, and whether they received any help to cope with the emotional impact of their assault. The author discusses how the lesbian community has silenced survivors of sexual violence due to myths of lesbian utopia, and considers what role societal homophobia, biphobia, and heterosexism has played in this silencing. Ranging from date and acquaintance rape, to domestic sexual abuse by partners, to sexual harassment in the workplace, these explicit and harrowing stories provide a fuller understanding of woman-to-woman sexual violence than exists anywhere else.
This provocative book offers much-needed insights on a subject rarely discussed in the literature on domestic violence, and it does so with compassion. Above all, it recommends how agencies can best provide services, outreach, and treatment to survivors of woman-to-woman rape and lesbian battering, using suggestions by the survivors themselves.