Visible: A Femmethology, the only two-volume anthology devoted to femme identity, calls the LGBTQI community on its prejudices and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femmedom.

An autobiographic faith journey of a lesbian couple as they deal with breast cancer and their God given sexual orientation. Darlene was a former leader in the ex-gay movement and her journey into truth will move you deeply.

A vibrant, growing, and highly visible set of female identities has emerged in Thailand known as tom and dee. A ""tom"" (from ""tomboy"") refers to a masculine woman who is sexually involved with a feminine partner, or ""dee"" (from ""lady""). The patterning of female same-sex relationships into masculine and feminine pairs, coupled with the use of English-derived terms to refer to them, is found throughout East and Southeast Asia. Have the forces of capitalism facilitated the dissemination of Western-style gay and lesbian identities throughout the developing world as some theories of transnationalism suggest? Is the emergence of toms and dees over the past twenty-five years a sign that this has occurred in Thailand? Megan Sinnott engages these issues by examining the local culture and historical context of female same-sex eroticism and female masculinity in Thailand. Drawing on a broad spectrum of anthropological literature, Sinnott situates Thai tom and dee subculture within the global trend of increasingly hybridized sexual and gender identities.

Kate Millett's tremulous and hauntingly beautiful memoir begins with a telephone call from Minnesota where her mother is dying. Her return home to a severe, intelligent, and controlling matriarch is the catalyst for a meditation on her upbringing in middle America and her subsequent outcast status as a political activist, artist, and lesbian. Mother Millett is an intensely personal journey through the author's interior life, a subject she has visited over the years in such classic texts as Sita and The Loony Bin Trip. In these pages are reflections on a life of political engagement, beginning with the sexual politics of the feminist movement, proceeding to the struggle for gay liberation, and culminating in her campaign for housing rights on the Lower East Side of New York where she and her neighbors currently face eviction. Throughout, Millett confronts her fears of losing her mother, the anchor to a world she has long ago rejected but which continues to define her. Echoing Philip Roth's Patrimony, Millett writes with great poignancy about caring for the person who brought her into the world, a role reversal that brings with it both devastation and grace.

"Making Girls into Women" offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women's culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.

Kent not only analyzes how texts represent queer erotics, but also theorizes how texts might produce them in readers. She describes the ways postbellum sentimental literature such as that written by Harriet Beecher Stowe, Louisa May Alcott, and Emma D. Kelley eroticizes, reacts against, and even, in its own efforts to shape girls' selves, contributes to the production of queer female identifications and identities. Tracing how these identifications are engaged and critiqued in the early twentieth century, she considers works by Djuna Barnes, Gertrude Stein, Marianne Moore, and Elizabeth Bishop, as well as in the queer subject-forming effects of another modern invention, the Girl Scouts. "Making Girls into Women" ultimately reveals that modern lesbian identity marks an extension of, rather than a break from, nineteenth-century women's culture.

A woman raping another woman is unthinkable. This is not how women behave, society tells us. Our legal system is not equipped to handle woman-to-woman sexual assault, our women's services do not have the resources or even the words to reach out to its victims, and our lesbian and gay communities face hurdles in acknowledging its existence. Already dealing with complex issues related to their sexual identities, and frequently overwhelmed by shame, lesbian and bisexual survivors of such violence are among the most isolated of crime victims.
In a work that is sure to stir controversy, Lori B. Girshick exposes the shocking, hidden reality of woman-to-woman sexual violence and gives voice to the abused. Drawing on a nationwide survey and in-depth interviews, Girshick explores the experiences and reflections of seventy women, documenting what happened to them, how they responded, and whether they received any help to cope with the emotional impact of their assault. The author discusses how the lesbian community has silenced survivors of sexual violence due to myths of lesbian utopia, and considers what role societal homophobia, biphobia, and heterosexism has played in this silencing. Ranging from date and acquaintance rape, to domestic sexual abuse by partners, to sexual harassment in the workplace, these explicit and harrowing stories provide a fuller understanding of woman-to-woman sexual violence than exists anywhere else.
This provocative book offers much-needed insights on a subject rarely discussed in the literature on domestic violence, and it does so with compassion. Above all, it recommends how agencies can best provide services, outreach, and treatment to survivors of woman-to-woman rape and lesbian battering, using suggestions by the survivors themselves.

Since 1958, twenty-five men and two women have forced the Supreme Court to consider whether the Constitution's promises of equal protection apply to gay Americans. Here Joyce Murdoch and Deb Price reveal how the nation's highest court has reacted to these cases--from the surprising 1958 victory of a tiny homosexual magazine to the 2000 defeat of a gay Eagle Scout. A triumph of investigative reporting, Courting Justice gives us an inspiring new perspective on the struggle for civil rights in America.

This book is about those thousands of women whose quest for a good life is hampered - and enhanced by their love of women. It is about me. It may also be about you or someone you love.

The office of rabbi is the most visible symbol of power and prestige in Jewish communities. Rabbis both interpret to their congregations the requirements of Jewish life and instruct congregants in how best to live this life. Lesbian Rabbis: The First Generation documents a monumental change in Jewish life as eighteen lesbian rabbis reflect on their experiences as trailblazers in Judaism's journey into an increasingly multicultural world. In frank and revealing essays, the contributors discuss their decisions to become rabbis and describe their experiences both at the seminaries and in their rabbinical positions. They also reflect on the dilemma whether to conceal or reveal their sexual identities to their congregants and superiors, or to serve specifically gay and lesbian congregations. The contributors consider the tensions between lesbian identity and Jewish identity, and inquire whether there are particularly ""lesbian"" readings of traditional texts. These essays also ask how the language of Jewish tradition touches the lives of lesbians and how lesbianism challenges traditional notions of the Jewish family. ""'Today I am completely 'out' personally and professionally, and yet I have learned that the 'coming out' process never ends. Even today, I find myself in professional situations in which yet again I must reveal that I am a lesbian, yet again I must prove myself worthy of functioning professionally in the 'straight' world. I still encounter moments of awkwardness, some hostility, and some sense of exclusion as I negotiate the pathways of my professional life.""-Rabbi Leila Gal Berner, from Lesbian Rabbis: The First Generation

Psychoanalytic theories of lesbian development epitomize the difficulty in liberating psychoanalysis from the past. Psychoanalytic theory has traditionally adopted a clear position that a lesbian orientation represented some form of psychological abnormality. Thankfully -- but only very recently -- some influential feminist leaders have begun to rethink issues of gender and sexual orientation, removing heterosexuality from its privileged position as normal.

In "Lesbians and Psychoanalysis, " Judith M. Glassgold and Suzanne Iasenza bring together twenty-six of these pioneers in the field of lesbian psychoanalytic theory. Through insightful chapters based on years of clinical experience, each author helps to redefine psychoanalytic theory by reinventing its foundations from an affirmative perspective so that it better represents all peoples.

"Lesbians and Psychoanalysis" addresses several topics of emerging concern including multicultural diversity, self-disclosure, homophobia, transference/countertransference issues, bisexuality, and the changing nature of lesbian sexuality. In addition, the authors examine the influence of stigma on human development. In three sections -- Past, Present, and Future -- the authors in turn critique past theory, discuss current issues in therapy, and describe new directions in theory and practice. This is a book that is sure to appeal not only to members of the psychoanalytic community but also to all those who are interested in gay and lesbian studies, feminism, and psychology.

"This book is an exciting, well-organized overview of the evolution of a cultural icon: the nun-ensign Catalina de Erauso. . . . It will be of interest not only to Hispanists, but also to students of gender, theater, and film." -Anne J. Cruz, Professor of Spanish, University of Illinois, Chicago Catalina de Erauso (1592-1650) was a Basque noblewoman who, just before taking final vows to become a nun, escaped from the convent at San Sebastian, dressed as a man, and, in her own words, "went hither and thither, embarked, went into port, took to roving, slew, wounded, embezzled, and roamed about." Her long service fighting for the Spanish empire in Peru and Chile won her a soldier's pension and a papal dispensation to continue dressing in men's clothing. This theoretically informed study analyzes the many ways in which the "Lieutenant Nun" has been constructed, interpreted, marketed, and consumed by both the dominant and divergent cultures in Europe, Latin America, and the United States from the seventeenth century to the present. Sherry Velasco argues that the ways in which literary, theatrical, iconographic, and cinematic productions have transformed Erauso's life experience into a public spectacle show how transgender narratives expose and manipulate spectators' fears and desires. Her book thus reveals what happens when the private experience of a transgenderist is shifted to the public sphere and thereby marketed as a hybrid spectacle for the curious gaze of the general audience.

On a winter day in 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamored to cover the ensuing "girl lovers" murder trial. Lisa Duggan locates in this sensationalized event the emergence of the lesbian in U.S. mass culture and shows how newly "modern" notions of normality and morality that arose from such cases still haunt and distort lesbian and gay politics to the present day.
Situating this story alongside simultaneously circulating lynching narratives (and its resistant versions, such as those of Memphis antilynching activist Ida B. Wells) Duggan reveals how stories of sex and violence were crucial to the development of American modernity. While careful to point out the differences between the public reigns of terror that led to many lynchings and the rarer instances of the murder of one woman by another privately motivated woman, Duggan asserts that dominant versions of both sets of stories contributed to the marginalization of African Americans and women while solidifying a distinctly white, male, heterosexual form of American citizenship. Having explored the role of turn-of-the-century print media--and in particular their tendency toward sensationalism--Duggan moves next to a review of sexology literature and to novels, most notably Radclyffe Hall's "The Well of Loneliness." "Sapphic Slashers" concludes with two appendices, one of which presents a detailed summary of Ward's murder, the trial, and Mitchell's eventual institutionalization. The other presents transcriptions of letters exchanged between the two women prior to the crime.
Combining cultural history, feminist and queer theory, narrative analysis, and compelling storytelling, "Sapphic Slashers" provides the first history of the emergence of the lesbian in twentieth-century mass culture.

Impossible Women fills a critical gap in queer theory by spotlighting representations of lesbian sexuality in nineteenth- and twentieth-century American literature. Reading through the lens of feminist and psychoanalytic theory, Valerie Rohy considers texts by Nathaniel Hawthorne, Kate Chopin, Henry James, Zora Neale Hurston, Ernest Hemingway, and Elizabeth Bishop.Addressing American ideologies of reproduction and representation, Impossible Women suggests that lesbian figures are made to symbolize both the unrepresentable and the failures of meaning inherent in language. Rohy traces the ways lesbian sexuality relegated to the domain of the ineffable, yet endlessly subject to inscription appears in tropes of transference and displacement, the disembodied voice, repetition-compulsion, and the uncanny. Impossible Women also asks what cultural work such figures perform, locating lesbian desire in American literary history and engaging issues of genre and narrative, social formations such as the rhetoric of the "New Woman," and intersections of racism, sexism, and homophobia."

This intriguing and authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day. Alan Sinfield argues that, despite and because of censorship and discretion, twentieth-century theatre has been viewed as gay space. When we attune ourselves to the idioms of the different decades, theatre emerges as an important place for the circulation of images of homosexuality and for the exploration of concepts of gender and sexuality. Sinfield examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Rattigan, Williams, Le Roi Jones and Orton. He locates plays in the contexts in which they were produced and viewed, whether it be West End and Broadway or more bohemian little club theatres, Off-Broadway, and fringe. He discusses many women writers - from Djuna Barnes and Agatha Christie to Lorraine Hansberry and Caryl Churchill - and analyses the implications of homosexuality in their work.He explains why in the 1950s British and American plays began to differ in their representations of gays, how the 1960s produced an exuberant cultivation of 'kinky' humour and gay political activism in theatres, and what impact AIDS has had on theatrical productions. Sinfield concludes with provocative questions about the direction of new theatre writing, asserting that representations in theatre continue to challenge notions of our sexual potential. Alan Sinfield is professor of English literature at the University of Sussex. Among his many publications are 'Literature, Politics and Culture in Postwar Britain', 'Faultlines: Cultural Materialism and the Politics of Dissident Reading', 'The Wilde Century', and 'Cultural Politics - Queer Reading'.

Karla Jay's memoir of an age whose tumultuous social and political movements fundamentally reshaped American culture takes readers from her early days in the 1968 Columbia University student riots to her post-college involvement in New York radical women's groups and the New York Gay Liberation Front. In Southern California in the early 70s, she continued in the battle for gay civil rights and helped to organize the takeover of "The Ladies' Home Journal" and "ogle-in" - where women staked out Wall Street and whistled at the men.

What Tom Wolfe did for astronauts and Roger Angell did for baseball, journalists Lindsy Van Gelder and Pamela Robin Brandt do for lesbians in this landmark book.

Long misperceived as a separatist coven, a default option, or a sort of ladies' auxiliary to the gay men's movement, lesbian life has achieved a new visibility in the past few years. But for all the interest in who's out and who's not (yet), there's been surprisingly little understanding of the diversity and richness of lesbian experience.

This funny, lively, and perceptive book will change all that. Drawing on more than a hundred interviews with women around the country, and on their own keen wits and eyes, Van Gelder and Brandt have composed an unprecedented portrait of how gay women today -- "born" and "made," lipsticked and flannel-shirted alike -- think, feel, love, and live. Three major "tribal" events -- the long-running Michigan Womyn's Music Festival, "Dinah" (the annual Dinah Shore Golf Tournament and party circuit, a mecca for upwardly mobile luppies), and a cross-country trek with the activist Lesbian Avengers en route to the 1994 Stonewall commemoration -- provide points of entry into an exploration of lesbian identity, social dynamics, and politics that's as entertaining as it is revealing. The result is a kaleidoscopic portrait that will resonate with lesbians themselves and reveal to their "neighbors" a world of unsuspected vibrancy and depth.

Refuting commonly held beliefs within women's and lesbian history, feminist theory, and histories of the novel, Dangerous Intimacies challenges the idea that sex between women was unimaginable in British culture before the late nineteenth century. Lisa L. Moore argues that literary representations of female sexual agency-and in particular "sapphic" relationships between women-were central to eighteenth-century debates over English national identity. Moore shows how the novel's representation of women's "romantic friendships"-both platonic and sexual-were encoded within wider social concerns regarding race, nation, and colonialist ventures. Moore demonstrates that intimacy between women was vividly imagined in the British eighteenth century as not only chaste and virtuous, but also insistently and inevitably sexual. She looks at instances of sapphism in such novels as Millenium Hall, Memoirs of a Woman of Pleasure, Belinda, and Emma and analyzes how the new literary form of the novel made the bourgeois heroine's successful negotiation of female friendship central to the establishment of her virtue. Moore also examines representations of sapphism through the sweeping economic and political changes of the period and claims that middle-class readers' identifications with the heroine's virtue helped the novel's bourgeois audience justify the violent bases of their new prosperity, including slavery, colonialism, and bloody national rivalry. In revealing the struggle over sapphism at the heart of these novels of female friendship-and at the heart of England's national identity-Moore shows how feminine sexual agency emerged as an important cultural force in post-Enlightenment England

..". innovative and important thinking about the various relations between feminist theory, queer theory, and lesbian theory, as well as the possibility that liberation can be mutual rather than mutually exclusive." Lambda Book Report

"Challenging and interesting." Just Out

A collection of fifteen interdisciplinary essays examining the history, current condition, and evolving shape of lesbian alliances with U.S. feminists. Contributors explore the social and aesthetic significance of the terms "lesbian" and "feminist" with the interest of reforming and strengthening them."

Electroshock. Hysterectomy. Lobotomy. These are only three of the many "cures" to which lesbians have been subjected in this century. How does a society develop such a profound aversion to a particular minority? In what ways do images in the popular media perpetuate cultural stereotypes about lesbians, and to what extent have lesbians been able to subvert and revise those images? This book addresses these and other questions by examining how lesbianism has been represented in American popular culture in the twentieth century and how conflicting ideologies have shaped lesbian experiences and identity. In the first section, "Inventing the Lesbian," Sherrie A. Inness explores depictions of lesbians in popular texts aimed primarily at heterosexual consumers. She moves from novels of the 1920s to books about life at women's colleges and boarding schools, to such contemporary women's magazines as Cosmopolitan, Glamour, and Vogue. In the next section, "Forms of Resistance," Inness probes the ways in which lesbians have refashioned texts intended for a heterosexual audience or created their own narratives. One chapter shows how lesbian readers have reinterpreted the Nancy Drew mysteries, looking at them from a distinctly "queer" perspective. Another chapter addresses the changing portrayal of lesbians in children's books over the past two decades. The last section, "Writing in the Margins," scrutinizes the extent to which lesbians, themselves a marginalized group, have created a society that relegates some of its own members to the outskirts. Topics include the geographic politics of lesbianism, the complex issue of "passing," and the meaning of butch identity in twentieth-century lesbian culture.

This resource for counselors who work with lesbian couples gives a clear assessment of the issues faced in working through their relationship within the context of their sexuality and society's oppression of lesbians.

The purpose of the Counseling and Pastoral Theology series is to address clinical issues that arise among particular populations currently neglected in the literature on pastoral care and counseling. This series is committed to enhancing both the theoretical base and the clinical expertise of pastoral caregivers by providing a pastoral theological paradigm that will inform both assessment and intervention with persons in these specific populations.

Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identity emerged in the 1950s that simultaneously drew on and transcended left-wing opposition to the Cold War cultural and political consensus. Combining readings of novels, plays, and films of the period with historical research into the national security state, the growth of the suburbs, and postwar consumer culture, Corber examines how gay men resisted the "organization man" model of masculinity that rose to dominance in the wake of World War II. By exploring the representation of gay men in film noir, Corber suggests that even as this Hollywood genre reinforced homophobic stereotypes, it legitimized the gay male "gaze." He emphasizes how film noir's introduction of homosexual characters countered the national "project" to render gay men invisible, and marked a deep subversion of the Cold War mentality. Corber then considers the work of gay male writers Tennessee Williams, Gore Vidal, and James Baldwin, demonstrating how these authors declined to represent homosexuality as a discrete subculture and instead promoted a model of political solidarity rooted in the shared experience of oppression. Homosexuality in Cold War America reveals that the ideological critique of the dominant culture made by gay male authors of the 1950s laid the foundation for the gay liberation movement of the following decade.

"Allen's work is virtually unique among American writers. Itillustrates a deep knowledge of the issues raised by the postmodernists, yet shedoes not succumb to the playing field, constructing instead her own philosophicaldirection and aesthetic." -- Sarah Hoagland

Jeffner Allenshapes a poetic politics that transforms textual and everyday realities. Thesurprising, resilient, and transformative windings of lesbian writing and lesbianlives -- a poetics of sinuous movement, the turning of women to women -- informsthese reflections.