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Books > Social sciences > Sociology, social studies > Gay & Lesbian studies > Lesbian studies
Everyone makes mistakes in relationships at one time or another. Sometimes they learn from those mistakes. Other times, they return to those behaviors and cycle through failed relationship after failed relationship. Sometimes those behaviors become an addiction to love that may leave a person feeling unhappy, unfulfilled, lonely, or worse. Lesbian Love Addiction: Understanding the Urge to Merge and How to Heal When Things go Wrong makes visible the elements of love addiction that many lesbians suffer from. Love addiction for lesbians comes in many forms. Some struggle by sexually acting out and others are serial relationship junkies, jumping from one relationship into the next. Some are addicted to the high of falling in love and once that wears off don't know how to handle the day-to-day realities of a committed relationship. Some are even addicted to fantasy and intrigue, while others are love avoidants and sexual anorexics. Love avoidants may be able to get into a relationship but once they are fully committed, struggle with feeling smothered. Others may avoid intimate or sexual relationships all together, becoming sexually anorexic. Some may even vacillate between all of these. The underlying component and common denominator in all of these scenarios is the "Urge to Merge." Lesbian Love Addiction is designed to help ameliorate at least part of this problem. Lauren D. Costine offers insight for lesbians, bisexual women in relationships with women, queer women, and more specifically, any woman who loves women, as well as their family and friends, and health care professionals, into the psychology of lesbian love addiction. It will give those who struggle with and suffer from love addiction ways to understand, cope, and heal from this debilitating addiction. It will give those who work with this population new tools to use to do this more effectively. Mostly, it will help lesbians understand their relationship failures and how to heal from problems associated with them, so they may grow and cultivate happier, more fulfilling connections in the future.
Sex Talks to Girls chronicles the outward antics of a woman on an inward journey to self through the routes of religion, sex, sobriety, and kids. Recasting herself in this memoir as ""Molly Meek,"" Maureen Seaton interprets the emergence of Molly's identity in luxurious and very funny prose. Molly alternately finds herself in the surprising company of winos, swingers, and drag kings; in love with Jesus H. Christ and a butch named Mars; in charge of two children; writing stories that shrink painfully to poems without her permission; and incapable of figuring out how she landed in any of these predicaments. She is, by turns, a little saint, a Stepford wife, a bi-mom, and a femme with super powers. Her transformation from near-nun to full-fledged sexual being, accidentally becoming conscious in the process and delighting in the spree is the story of a life set on play and a woman heroically committed to seeing it through.
This book recognizes that intense public battles are being waged in the U.S. over the rights of LGB people to form legally and culturally recognized families. Their families are under a kind of sociopolitical scrutiny at this historical moment that compels us all to take stock of our strategies of family-building and, more broadly, the meaning of family in the U.S. today. Through in-depth, open-ended, qualitative interviews with 61 self-identified lesbian, gay, and bisexual people regarding how they came to have children or remain childless/childfree, this book reveals the challenges posed by homophobia and discrimination and showcases the creative strategies, resilience, and resourcefulness of lesbians, bisexuals, and gays as they build families (with or without children) after coming out. From descriptions of how the early process of coming out affected the desire to parent or remain childfree, to stories about the impact of homophobia and discrimination on the decision-making process, to the dynamics within couples that lead to becoming parents or remaining childfree, to examining how cultural notions of the strength of biology are employed when having children, to accounts of how the closet can be used strategically when bringing children into a family, their voices form the heart of this book. In a sociopolitical context in which gay, lesbian, and bisexual people often have to struggle to access the array of rights and opportunities that are afforded to most heterosexual people without question, addressing the questions raised in this book is an urgent and necessary endeavor.
This book demonstrates that everyday interactions and struggles over the right words to use are at the heart of the experience of those in same-sex marriages. At a time when same-sex marriage is on the cusp of becoming legal across the United States, the authors demonstrate through in-depth interviews and rich survey data how the use of relationship terms by married lesbians is tied to a variety of factors that influence how their identities are shaped and presented across social contexts. Via rich anecdotes of how married lesbians navigate the social sphere through their varied use or avoidance of the use of the term wife, this volume is provides groundbreaking insights into how social change is being constructed and made sense of through an examination of real-life interactions with family and friends, on the job, and across service and casual encounters. The authors introduce us to the concept of contextual identity to explain how history and social context inspire cultural change. This first-of-its-kind analysis demonstrates how the first lesbians to marry have navigated acceptance and rejection, insecurity and political strength through their use of language in daily interactions. This book will surely resonate with anyone interested in understanding how married lesbians are presenting themselves at this historical juncture where social change and linguistic nuance are colliding.
The Whole Lesbian Sex Book was the first-ever sex guide to offer information and encouragement for all women who desire women - lesbian, bisexual, butch, femme, androgynous, and transgender. First published in 1999, it's been lauded for its thoroughness, enthusiastic tone, and creative, nonjudgmental approach to lesbian sex in all its rich variety. (Library Journal lamented, "Why can't more heterosexual sex manuals be this good?") Now, five years later, sex educator Felice Newman has completely updated this classic guide. There is new information throughout, up-to-date research, fresh quotes from women who share their real-world experiences, a greatly expanded resource guide, new illustrations, and an entire new chapter on sex and partnership. Topics include: Where to find sex partners (and how to talk to your lovers about sex). Discovering your desires and fantasies. How to have all the orgasms you desire-G-spot orgasms, multiple orgasms, extended orgasms, and ejaculation. Why communication is the most important erotic skill you can offer your partners. How masturbation can improve your sex life. Expert how-to information on cunnilingus, anal sex, vaginal fisting, and other favourite lesbian sex techniques. How to choose vibrators, dildos, and harnesses, and get the most out of your sex toys. And much more.
Fixing Gender uses psychoanalysis to explore the theoretical implications for the gendering of the human subject that arise from the situation of lesbians raising children from birth. In the face of the powerful evidence of the ways gender operates, and in the deep structural ways the logic of gender perpetuates, both made visible by psychoanalysis, this book asks: Is gender always fixed? Can the system which is produced by, and which produces, gender be altered? Can gender be fixed? The work begins by sketching the implications of gender as elucidated by feminist thinkers in general and feminist psychoanalytic thinkers in particular. Moving to Freud's theory of the subject, the work examines the logic of the Oedipus complex, and from there it looks at what feminist object relations theorists have done with and to the logic of the Oedipus complex. The book then moves to the literature on lesbian family functioning; and finally the work ends with a radical interrogation into the possibilities enabled by paying attention to form, and highlighting its constitutive possibilities.
Robson tackles controversial legal questions, including the treatment of lesbian criminal defendants; lesbianism and violence; the courts' tendency to resort to stereotypes, such as "the good lesbian" and "the bad lesbian"; the numerous debates enveloping same-sex marriage; and the outcome of child custody cases involving lesbians. She also repudiates the recent habit of legal theorists to address lesbians as "alternative family."
In her forties, Erica Rand bought a pair of figure skates to vary her workout routine. Within a few years, the college professor was immersed in adult figure skating. Here, in short, incisive essays, she describes the pleasures to be found in the rink, as well as the exclusionary practices that make those pleasures less accessible to some than to others. Throughout the book, Rand situates herself as a queer femme, describing her mixed feelings about participating in a sport with heterosexual story lines and rigid standards for gender-appropriate costumes and moves. She chronicles her experiences competing in the Gay Games and at the annual U.S. Adult National Figure Skating Championship, or "Adult Nationals"; Aided by her comparative study of roller derby and women's hockey, including a brief attempt to play hockey herself, she addresses matters such as skate color conventions, judging systems, racial and sexual norms, transgender issues in sports, and the economics of athletic participation and risk taking. Mixing sharp critique with genuine appreciation and delight, Rand suggests ways to make figure skating more inclusive, while portraying the unlikely friendships facilitated by sports and the sheer elation of gliding on ice.
Mignon R. Moore brings to light the family life of a group that has been largely invisible - gay women of color - in a book that challenges long-standing ideas about racial identity, family formation, and motherhood. Drawing from interviews and surveys of one hundred black gay women in New York City, "Invisible Families" explores the ways that race and class have influenced how these women understand their sexual orientation, find partners, and form families. In particular, the study looks at the ways in which the past experiences of women who came of age in the 1960s and 1970s shape their thinking, and have structured their lives in communities that are not always accepting of their openly gay status. Overturning generalizations about lesbian families derived largely from research focused on white, middle-class feminists, "Invisible Families" reveals experiences within black American and Caribbean communities as it asks how people with multiple stigmatized identities imagine and construct an individual and collective sense of self.
"A Xicana Codex of Changing Consciousness "features essays and poems by Cherrie L. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, "comadre," and lesbian lover looks back on the first ten years of the twenty-first century. She considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Moraga describes her deepening grief as she loses her mother to Alzheimer's; pays poignant tribute to friends who passed away, including the sculptor Marsha Gomez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde; and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldua. Thirty years after the publication of Anzaldua and Moraga's collection "This Bridge Called My Back," a landmark of women-of-color feminism, Moraga's literary and political praxis remains motivated by and intertwined with indigenous spirituality and her identity as Chicana lesbian. Yet aspects of her thinking have changed over time. "A Xicana Codex of Changing Consciousness" reveals key transformations in Moraga's thought; the breadth, rigor, and philosophical depth of her work; her views on contemporary debates about citizenship, immigration, and gay marriage; and her deepening involvement in transnational feminist and indigenous activism. It is a major statement from one of our most important public intellectuals.
The discovery that a child is lesbian or gay can send shockwaves through a family. A mother will question how she's raised her son; a father will worry that his daughter will experience discrimination. From the child's perspective, gay and lesbian youth fear their families will reject them and that they will lose financial and emotional support. All in all, learning a child is gay challenges long-held views about sexuality and relationships, and the resulting uncertainty can produce feelings of anger, resentment, and concern. Through a qualitative, multicultural study of sixty-five gay and lesbian children and their parents, Michael LaSala, a leading expert on this issue, outlines effective, practice-tested interventions for families in transition. His research reveals surprising outcomes, such as learning that a child is homosexual can improve familial relationships, including father-child relationships, even if a parent reacts strongly or negatively to the revelation. By confronting feelings of depression, anxiety, and grief head on, LaSala formulates the best approach for practitioners who hope to reestablish intimacy among family members and preserve family connections--as well as individual autonomy--well into the child's maturation. By restricting his study to parents and children of the same family, LaSala accurately captures the reciprocal effects of family interactions, identifying them as targets for effective treatment. "Coming Out, Coming Home" is also a valuable text for families, enabling adjustment through relatable scenarios and analyses.
This is a rarity in contemporary writing, a truly bilingual enterprise, as in Susana Chavez-Silverman's previous memoir, Killer Cronicas. Chavez-Silverman switches between English and Spanish, creating a linguistic mestizaje that is still a surprise encounter in the world of letters today, and the author is one of a small but growing band of writers to embrace bilingualism as a literary force. Also like Killer Cronicas, each chapter in Scenes from la Cuenca de Los Angeles is a "cronica," a vignette that began as intimate diary entries and e-mails and letters to lovers, friends, and ghosts from the past. These episodic chapters follow Chavez-Silverman's personal history, from California to South Africa and Australia and back, from unfathomable loss to deeply felt joy. Readers drawn into this witty book will confront their own conceptions of boundaries, borders, languages, memories, and spaces. Por su white, insouciant, papery look, por su semejanza a la amapola (scentless, a fin de cuentas, no obstante esa famosa escena de la Wicked Witch of the West, purring evilly, "Poppies, poppies will put them to sleep. Sleeeep, sleep . . ."), when I leaned in to sniff, I hadn't been expecting any scent at all. Y por eso, el cool, familiar mounds of damp masa harina, Mercado Libertad en verano scent, es-por lo utterly inesperado-lo mas disturbingly, comfortingly, hechizante que tienen las paper flowers. Stay with me a while. Busquemos, together, mas strange familiars. -excerpt from chapter 1, "Diary Inside/Color Local Cronica"
"Backward Glances" reveals that the passionate love one woman feels for another occupies a position of unsuspected centrality in contemporary Chinese mass cultures. By examining representations of erotic and romantic love between women in popular films, elite and pulp fiction, and television dramas, Fran Martin shows how youthful same-sex love is often framed as a universal, even ennobling, feminine experience. She argues that a temporal logic dominates depictions of female homoeroticism, and she traces that logic across texts produced and consumed in mainland China, Hong Kong, and Taiwan during the twentieth century and the early twenty-first. Attentive to both transnational cultural flows and local particularities, Martin shows how loving relations between women in mass culture are usually represented as past experiences. Adult protagonists revel in the repeated, mournful narration of their memories. Yet these portrayals do not simply or finally consign the same-sex loving woman to the past--they also cause her to reappear ceaselessly in the present. As Martin explains, memorial schoolgirl love stories are popular
throughout contemporary Chinese cultures. The same-sex attracted
young woman appears in both openly homophobic and proudly
queer-affirmative narratives, as well as in stories whose
ideological valence is less immediately clear. Martin demonstrates
that the stories, television programs, and films she analyzes are
not idiosyncratic depictions of marginal figures, but
manifestations of a broader, mainstream cultural preoccupation. Her
investigation of representations of same-sex love between women
sheds new light on contemporary Chinese understandings of sex,
love, gender, marriage, and the cultural ordering of human
life.
Members of social groups, including communities, routinely exert subtle forms of social control on others. The Web: Social Control in a Lesbian Community is a sociological study examining the effects of informal social control_the response to behavior or people regarded as deviant, problematic, threatening, or undesirableDin everyday life. The context of this study is a lesbian community situated in the heartland of the United States. Based on interviews, participant-observation, and document sources gathered over a period of nine years, the book analyzes the effects of social control on relations of power (based on race, class, and sexual identity) among diverse members of a lesbian community. Although much of what is represented in this book is unique to this lesbian community, the forms and functions of social control analyzed here can be found in any human community.
What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed. In Women Together/Women Apart, Tirza True Latimer explores the revolutionary period between World War I and World War II when lesbian artists working in Paris began to shape the first visual models that gave lesbians a collective sense of identity and allowed them to recognize each other. Flocking to Paris from around the world, artists and performers such as Romaine Brooks, Claude Cahun, Marcel Moore, and Suzy Solidor used portraiture to theorize and visualize a ""new breed"" of feminine subject. The book focuses on problems of feminine and lesbian self-representation at a time and place where the rights of women to political, professional, economic, domestic, and sexual autonomy had yet to be acknowledged by the law. Under such circumstances, same-sex solidarity and relative independence from men held important political implications. Combining gender theory with visual, cultural, and historical analysis, Latimer draws a vivid picture of the impact of sexual politics on the cultural life of Paris during this key period. The book also illuminates the far-reaching consequences of lesbian portraiture on contemporary constructions of lesbian identity.
With hair slicked back and shirt collar framing her young patrician face, Katherine Hepburn's image in the 1935 film Sylvia Scarlett was seen by many as a lesbian representation. Yet, Amy Villarejo argues, there is no final ground upon which to explain why that image of Hepburn signifies lesbian or why such a cross-dressing Hollywood fantasy edges into collective consciousness as a lesbian narrative. Investigating what allows viewers to perceive an image or narrative as "lesbian," Villarejo presents a theoretical exploration of lesbian visibility. Focusing on images of lesbians in film, she analyzes what these representations contain and their limits. She combines Marxist theories of value with poststructuralist insights to argue that lesbian visibility operates simultaneously as an achievement and a ruse, a possibility for building a new visual politics and away of rendering static and contained what lesbian might mean. Integrating cinema studies, queer and feminist theory, and cultural studies, Villarejo illuminates the contexts within which the lesbian is rendered visible. Toward that end, she analyzes key portrayals of lesbians in public culture, particularly in documentary film. She considers a range of films-from documentaries about Cuba and lesbian pulp fiction to Exile Shanghai and The Brandon Teena Story-and, in doing so, brings to light a nuanced economy of value and desire.
On a winter day in 1892, in the broad daylight of downtown Memphis,
Tennessee, a middle class woman named Alice Mitchell slashed the
throat of her lover, Freda Ward, killing her instantly. Local,
national, and international newspapers, medical and scientific
publications, and popular fiction writers all clamored to cover the
ensuing "girl lovers" murder trial. Lisa Duggan locates in this
sensationalized event the emergence of the lesbian in U.S. mass
culture and shows how newly "modern" notions of normality and
morality that arose from such cases still haunt and distort lesbian
and gay politics to the present day.
This A-Z guide to lesbians and lesbianism in the movies contains reviews, gossip, facts and commentary on over 200 films, including specifically lesbian films such as "Go Fish" and "Desert Hearts" as well as films with a lesbian character or theme, like "The Children's Hour" and "The Hunger."
The Fifth Volume in the annual series Psychological Perspective on Lesbian and Gay Issues is devoted to providing a basic collection of resources for educators, practitioners and researchers in Lesbian/Gay Bisexual and Transgendered Psychology. The volume and the series are sponsored by Division 44 of the American Psychological Association. Academic psychologists have been challenged to make psychology curricula more inclusive. Program changes involve revising undergraduate and graduate course material and content to represent the full spectrum of sexual orientation identity, development and life dilemmas. Similarly, trainers and educators responsible for training in related mental health disciplines, mental health agencies and other venues that deliver psychological services to Lesbian, Gay, Bisexual, And Transgendered Psychology individuals have been appropriately challenged to make training competent practitioners a priority. Many practitioners who have had no training in Lesbian, Gay, Bisexual, And Transgendered Psychology find themselves confronted with clients that they feel ill equipped to address. They often have the desire to develop clinical competencies in this area, but don?t know where to begin. This volume is intended to serve as a basic resource with information on salient lesbian, gay, bisexual, and transgendered psychology issues and to provide the reader with a range of references and other resources to explore key identity, development, and other subjects.
Written in a scholarly but accessible style, this book provides an integrated critical analysis of lesbian and bisexual women's health. Reflecting the complexity of the field, it will be interesting and useful to health professionals, students, and academicians. The book highlights trends and themes, with selected examples of research and personal experience of lesbians and bixsexual women and their health care providers. The goals of the book are: to intergrate and analyze the multi-disciplinary literature on lesbian and bixsexual women's health; to enhance the readers' understanding of research methodology and analysis, increasing their ability to critique and grasp the implications of future research; to explore socio-cultural influences on the health of lesbians and bisexuals; to provide a text to be used in academic settings; to analyze voids, problems and future directions. Written from a public health perspective, this work integrates material from a multitude of disciplines including medicine, nursing, sociology, psychology. It utilizes this research base along with personal interviews//cases to answer questions that many lesbian and bisexual women ( and their health care providers) ask. What have we learned about our health?; what are our health risks?; what are we doing to protect ourselves?; can we trust medical confidentially?; and where can we go from here regarding health care and communication?.
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