Boots of Leather, Slippers of Gold traces the evolution of the lesbian community in Buffalo, New York from the mid-1930s up to the early 1960s. Drawing upon the oral histories of 45 women, it is the first comprehensive history of a working-class lesbian community. These poignant and complex stories show how black and white working-class lesbians, although living under oppressive circumstances, nevertheless became powerful agents of historical change. Kennedy and Davis provide a unique insider's perspective on butch-fem culture and argue that the roots of gay and lesbian liberation are found specifically in the determined resistance of working-class lesbians. This 20th anniversary edition republishes the book for a new generation of readers. It includes a new preface in which the authors reflect on where the last 20 years have taken them, and reminisce about the process of creating Boots of Leather, Slippers of Gold. For anyone interested in lesbian life during the 1950s, or in the dynamics of butch-fem culture, this study remains the one that set the highest standard for all oral histories and ethnographies of lesbian communities anywhere.

Members of social groups, including communities, routinely exert subtle forms of social control on others. The Web: Social Control in a Lesbian Community is a sociological study examining the effects of informal social control_the response to behavior or people regarded as deviant, problematic, threatening, or undesirableDin everyday life. The context of this study is a lesbian community situated in the heartland of the United States. Based on interviews, participant-observation, and document sources gathered over a period of nine years, the book analyzes the effects of social control on relations of power (based on race, class, and sexual identity) among diverse members of a lesbian community. Although much of what is represented in this book is unique to this lesbian community, the forms and functions of social control analyzed here can be found in any human community.

Lesbian writers include some of the most innovative and adventurous writers of this century, but only recently have they been given their due attention in terms of critical study. This book is the first anthology to discuss the subject of lesbianism as it relates to the critical interaction among readers, writers, and literary critics. It explores lesbian texts in terms of identification, meaning, and interpretation, and examines the complex entanglements of identity, voice, intersubjectivity, textualities, and sexualities.

"A wonderful exploration of the varieties of life choices lesbians can and do make. This book once again proves that telling the truth aboutyourself is a revolutionary act."
--"Rita Mae Brown"

"They will probably drum Karla Jay and Joanne Glasgow out of the academy for this one...A college text that is witty, literate, interesting, and can be read for fun. What's the world coming to? "Lesbian Texts and Contexts" dry title, wonderful book."
--"Barbara Grier, Editor Naiad Press"

"To call this collection much-needed or eagerly awaited would be the understatement of the year. It's thrilling ot think of the new readings of classic texts, the new directions for theory, and--maybe best of all--the new range of literary encounters in the classroom, that will be enabled by this radical intervention on the critical scene."
--"Eve Kosofsky Sedgwick, Duke University"

"Excellent, ...challenging, sexy, ...never boring."
--"Outweek."

Using a rich array of oral histories and archival sources, Tomboys and bachelor girls provides the first detailed academic study of lesbian identity and culture in post-war Britain. Described by psychiatrists as immature and neurotic, and widely ignored as taboo by mainstream society, lesbians nevertheless recognised and accepted their same-sex desire and sought out women like themselves. Challenging the conventional picture of the post-war decades as years of austerity and conservative femininity, this book traces the emergence of a vibrant lesbian social scene in Britain, centred on the metropolitan nightclubs of post-war London, but also developing across the country, through lesbian magazines and social organisations. This fascinating book brings to life the rich history of post-war lesbian culture for the scholarly and general reader alike. -- .

Taking lesbians in Singapore as a case study, this book explores the possibility of a modern gay identity in a postcolonial society, that is not dependent on Western queer norms. It looks at the core question of how this identity can be reconciled with local culture and how it relates to global modernities and dominant understandings of what it means to be queer. It engages with debates about globalization, post-colonialism and sexuality, while emphasising the specificity, diversity and interconnectedness of local lesbian sexualities.

Spoiler Alert: the lesbian character always dies. That is what seems to happen in television shows and films from all around the world. But is it true and is it something new? And does it even matter when women who love women can be found right across the media landscape? Looking at the fates of characters over decades, this wide-ranging and lively book argues that killing off the lesbian-even if she only appears via the subtext-is nothing new. It is a form of symbolic annihilation that has an impact in real life. Industry surveys and scholarly studies show that it is now easier for actors to come out and be role models. When more women are working behind the scenes the quality of what appears on-screen also becomes more diverse, but the storylines do not necessarily change. From the Xenaverse to GLAAD to the Lexa Pledge, fans have demanded better from the entertainment industry. As their fan fiction migrates from the computer screen to the printed page, they reanimate the dead and insist on happy endings.

As Lillian Faderman writes, there are "no constants with regard to lesbianism," except that lesbians prefer women. In this groundbreaking book, she reclaims the history of lesbian life in twentieth-century America, tracing the evolution of lesbian identity and subcultures from early networks to more recent diverse lifestyles. She draws from journals, unpublished manuscripts, songs, media accounts, novels, medical literature, pop culture artifacts, and oral histories by lesbians of all ages and backgrounds, uncovering a narrative of uncommon depth and originality.

The woman-made world described in Sappho's songs has been discussed and analysed for centuries. In "Sappho's Sweetbitter Songs," late twentieth century theories of feminism, psychoanalysis and literary criticism are applied to Sappho's lyrics for the first time. The study recreates and examines a voice that sings of the dreams and interactions of women, tells of the bodies, rhythms and desires of the women of Sappho's circle. At the same time it offers an analysis of sexual difference, comparing the homoerotic lyrics of male poets of that era to those of Sappho.

Use Your Words to Heal with This Self-Care Journal Praise for Jen Cross's Writing Ourselves Whole, the companion to this Write to Restore journal. "This is the most essential book on writing practice I know..." Pat Schneider, author of How the Light Gets In and founder of the Amherst Writers & Artists method #1 Bestseller in Gay & Lesbian Studies Jen Cross has worked with sexual trauma survivors for over fifteen years and founded an organization that is devoted to creating spaces for survivors to write and talk about their experiences. A holistic self-care journaling approach to trauma and recovery. Creative writing is increasingly becoming a go-to method for trauma recovery. There is great power in the written word, and even more so when those words are our own. Journaling provides a cathartic release of emotions because it allows us to not only process past experiences but also reflect on how we're feeling in the present moment. In this way, writing is one of the most easily accessible self-care practices. Give voice to what has been silenced. Healing from trauma can be a slow and painful process, especially for sexual trauma survivors, who are often shamed into keeping their experience to themselves. Write to Restore, a companion journal to Jen Cross's book Writing Ourselves Whole, is a space to put the pain on a page, and in doing so, release the hold it has on us and restore our bodies and minds. In this self-help journal find: A 60-day guided journey to healing from your experience Sixteen writing exercises that gently prompt writers deeper into their experiences and into renewal Follow-up readings, additional exercises, and suggested uses for your writing If you've worked through books such as The Body Keeps the Score; The Complex PTSD Workbook; Start Where You Are; Healing the Wounded Heart; or Present, Not Perfect then Write to Restore will provide further support and restoration for your healing process.

This book uncovers some of the major moments in the fragile and still poorly known herstory of feminist lesbian engagement in Serbia and Croatia. By treating the trauma of war, homophobia, and neoliberal capitalism as a verbally impenetrable experience that longs to be narrated, this monograph explores the ways in which feminist lesbian language has repeatedly emerged in the context of strong patriarchal silencing that has surrounded the armed conflicts of the Yugoslav succession. With an abundance of empirical material, Bilic illuminates a range of courageous but sometimes contested and controversial activist responses to the challenges posed by the violent intersection of misogyny, lesbophobia, poverty, and nationalism. The book renders visible a surprising diversity of activist initiatives and the resilience of transnational affective ties, which testify to the creativity of lesbian activist mobilisations in the ambivalent semi-peripheral space that used to be Yugoslavia. Trauma, Violence, and Lesbian Agency in Croatia and Serbia will be of interest to scholars and students researching the history and politics of Eastern Europe, as well as to those working in the fields of political sociology, lesbian and gay studies, gender studies, and queer theory and activism.

What makes kinship queer? This collection from leading and emerging thinkers in gender and sexualities interrogates the politics of belonging, shining a light on the outcasts, rebels, and pioneers. Queer Kinship brings together an array of thought-provoking perspectives on what it means to love and be loved, to 'do family' and to belong in the South African context. The collection includes a number of different topic areas, disciplinary approaches, and theoretical lenses on familial relations, reproduction, and citizenship. The text amplifies the voices of those who are bending, breaking, and remaking the rules of being and belonging. Photo-essays and artworks offer moving glimpses into the new life worlds being created in and among the 'normal' and the mundane. Taken as a whole, this text offers a critical and intersectional perspective that addresses some important gaps in the scholarship on kinship and families. Queer Kinship makes an innovative contribution to international studies in kinship, gender, and sexualities. It will be a valuable resource to scholars, students, and activists working in these areas.

At first glance, Barbara Kalish fit the stereotype of a 1950s wife and mother. Married at eighteen, Barbara lived with her husband and two daughters in a California suburb, where she was president of the Parent-Teacher Association. At a PTA training conference in San Francisco, Barbara met Pearl, another PTA president who also had two children and happened to live only a few blocks away from her. To Barbara, Pearl was "the most gorgeous woman in the world," and the two began an affair that lasted over a decade. Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife traces the stories of hundreds of women, like Barbara Kalish, who struggled to balance marriage and same-sex desire in the postwar United States. In doing so, Lauren Jae Gutterman draws our attention away from the postwar landscape of urban gay bars and into the homes of married women, who tended to engage in affairs with wives and mothers they met in the context of their daily lives: through work, at church, or in their neighborhoods. In the late 1960s and 1970s, the lesbian feminist movement and the no-fault divorce revolution transformed the lives of wives who desired women. Women could now choose to divorce their husbands in order to lead openly lesbian or bisexual lives; increasingly, however, these women were confronted by hostile state discrimination, typically in legal battles over child custody. Well into the 1980s, many women remained ambivalent about divorce and resistant to labeling themselves as lesbian, therefore complicating a simple interpretation of their lives and relationship choices. By revealing the extent to which marriage has historically permitted space for wives' relationships with other women, Her Neighbor's Wife calls into question the presumed straightness of traditional American marriage.

"Defiant Desire" records the lives of lesbian and gay South Africans of all races, lived in the face of censure, denial and oppression, from a drag salon in Woodstock to a gay "shebeen" in kwaThema; from a church in a Pretoria nightclub to Johannesburg's lesbian and gay pride march; and from Afrikaans love poetry to the new activism. "Defiant Desire" brings together South Africa's most prominent gay and lesbian writers, activists and academics. The contributors set out to refute beliefs that homosexuality is a white, male or middle-class phenomenon. Their writing makes clear and vibrant the relationship between a growing lesbian and gay rights movement and the broader anti-apartheid struggle in a time of transition and upheaval South Africa, and challenges its people to build a new society that respects and cherishes all of its citizens. "Defiant Desire" is an articulate testimony to the range of gay and lesbian experiences in South Africa. It is both a document of lesbian and gay struggle, and an indispensable book for those interested in the sexual politics coursing beneath the country's troubled passage to democracy.

This book sets out to investigate and theorise mediations of lesbian desire in a substantial corpus of films (spanning the period 1936-2002) by male and female directors working in France and also in French-speaking parts of Belgium, Canada, Switzerland and Africa. The corpus is unique in never before having been assembled, and represents a valuable tool not just for researchers but also for university teachers creating courses both on lesbianism in film and on sexuality in French cinema. A fair number of the 89 texts treated are mainstream films which have achieved high critical acclaim and/or high viewing figures: to cite just a few examples, Henri-Georges Clouzot's "Quai des orfA]vres" (1947), Louis Malle's "Milou en mai" (1989), Claude Chabrol's "La CA(c)rA(c)monie" (1995), AndrA(c) TA(c)chinA(c)'s "Les Voleurs" (1995), and FranAois Ozon's "Huit femmes" (2001). As such, they have contributed to hegemonic constructions of and debate on (female) homosexuality, in a century wherein sexed/ gendered identity, including sexual orientation, has become a preeminent factor in the constitution of subjectivity. While such constructions and debate have a French-language specificity, and have been produced in distinct socio-political and cultural contexts, this study also engages in analytical comparisons with relevant anglophone films and their own distinct discursive contexts.

The Lesbian Revolution argues that lesbian feminists were a vital force in the Women's Liberation Movement (WLM). They did not just play a fundamental role in the important changes wrought by second wave feminism, but created a powerful revolution in lesbian theory, culture and practice. Yet this lesbian revolution is undocumented. The book shows that lesbian feminists were founders of feminist institutions such as resources for women survivors of men's violence, including refuges and rape crisis centres, and that they were central to campaigns against this violence. They created a feminist squatting movement, theatre groups, bands, art and poetry and conducted campaigns for lesbian rights. They also created a profound and challenging analysis of sexuality which has disappeared from the historical record. They analysed heterosexuality as a political institution, arguing that lesbianism was a political choice for feminists and, indeed, a form of resistance in itself. Using interviews with prominent lesbian feminists from the time of the WLM, and informed by the author's personal experience, this book aims to challenge the way the work and ideas of lesbian feminists have been eclipsed and to document the lesbian revolution. The book will be of key interest to scholars and students of women's history, the history of feminism, the politics of sexuality, women's studies, gender studies, lesbian and gay studies, queer studies and cultural studies, as well as to the lay reader interested in the WLM and feminism more generally.

Marou Izumo and Claire Maree met at a bar in Tokyo. Separated by seventeen years difference in age, by their cultural origins, and by the requirements of visas, they have managed to maintain their relationship through these vicissitudes. Autobiography, duobiography, love story, cross-cultural reflections, lesbian history -- this book is all of these things and more. It looks at different perceptions and attitudes towards lesbians in Japan and Australia.

A powerful and moving anthology of essays on butch and femme identities, inspired by Joan Nestle's The Persistent Desire.

"A fascinating and eye-opening book about a topic much hinted at but little considered systematically. The authors not only have the benefit of knowing homosexuality in many other societies but are well grounded in matters Islamic."
--"Middle East Quarterly"

""Islamic Homosexualities" clearly suceeds...a valuable addition to any library or interested reader's bookshelf."
-- "Journal of Homosexuality"

The dramatic impact of Islamic fundamentalism in recent years has skewed our image of Islamic history and culture. Stereotypes depict Islamic societies as economically backward, hyper-patriarchal, and fanatically religious. But in fact, the Islamic world encompasses a great diversity of cultures and a great deal of variation within those cultures in terms of gender roles and sexuality.

The first collection on this topic from a historical and anthropological perspective, Homosexuality in the Muslim World reveals that patterns of male and female homosexuality have existed and often flourished within the Islamic world. Indeed, same-sex relations have, until quite recently, been much more tolerated under Islam than in the Christian West.

Based on the latest theoretical perspectives in gender studies, feminism, and gay studies, Homosexuality in the Muslim World includes cultural and historical analyses of the entire Islamic world, not just the so-called Middle East. Essays show both age-stratified patterns of homosexuality, as revealed in the erotic and romantic poetry of medieval poets, and gender-based patterns, in which both men and women might, to varying degrees, choose to live as members of the opposite sex. The contributors draw on historical documents, literarytexts, ethnographic observation and direct observation by both Muslim and non-Muslim authors to show the considerable diversity of Islamic societies and the existence of tolerated gender and sexual variances.

This book forms an introduction to the rapidly growing field of lesbian studies. Steering a middle course between 'high theory' and detailed textual analysis, it provides both those new to the field and more experienced readers in lesbian/gay and feminist scholarship with original insights into the contradictory meanings of lesbian sexuality in Western culture.

Exploring different cultural forms, including twentieth-century fiction and Hollywood cinema, Hoogland addresses topical theoretical questions concerning the shifting significance of lesbian sexuality as they arise from careful textual analyses. Among the examples discussed are Alice Walker's "The Color Purple, "Sylvia Plath's "The Bell Jar, "and the Hollywood thriller "Basic Instinct. "Guiding concerns are the interrelations between knowledge and desire, between sexuality and gender, and the violent operation of heterosexual ideologies. Adopting a psychoanalytical perspective, Hoogland concludes by critically interrogating feminism's ambivalent stakes in female same-sex desire.

"Lesbian Configurations "is both a valuable introduction to an expanding field and an original contribution to current debates.

In this cutting edge volume, Wallace identifies a unique trend in post-Production Code films that deal with lesbian content: stories of lesbianism invariably engage with an apartment setting, a spatial motif not typically associated with lesbian history or cultural representation. Through the formal analysis of five lesbian apartment films, Wallace demonstrates how the standard repertoire of visual techniques and spatial devices (the elements of mise-en-sc?ne, favoured locations and sets, classical systems of editing, and the implied story world itself) are used to scaffold female sexual visibility. With its sustained focus on the filmic syntax surrounding lesbian representation on screen in the post-Production Code era, the book comprises an original contribution to queer film studies. In addition, Wallace also deploys its discussion of lesbianism and cinematic space to critique a number of tendencies in contemporary social theory, particularly the theoretical identification of public sex cultures as the basis for a queer counterpublic sphere.

"A vivid analysis of how many Latin Americans have crafted alternative modes of understanding sexuality."
--"Hispanic American Historical Review"

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh.

Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out.

Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.

Novel Approaches to Lesbian History tells a tale about history and community in our allegedly post-identity era, examining contemporary novels that depict lesbian characters in recognizable historical situations. These imaginative stories provide a politically vital, speculative past in the face of a sketchy, problematic archive. Among the memorable characters in some 200 novels are pirates, cowgirls, and famous artists, ghosts and time travellers, immigrants and lovers. The best lesbian historical novels are conscientious and buoyant as they engage critical historiographical questions, but Novel Approaches also discusses the class and race biases that weigh on the genre. Some lesbian historical novels are based on archival evidence, others on conjecture or fantasy, but all convey the true fact that identity is elusive without a past, without which its future is nearly impossible.

SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2022 ______________________________________________________________________________________ 'an explicitly inclusive, thoughtful, joyful read' - REFINERY 29 'This "love letter of sorts" to inclusive queer women's culture is perfect for anyone who's just come out, wants to know what the heck's going on or has yearned for an entire chapter dedicated to the film Carol.' - DIVA 'An introspective dive into the fast-moving world of queer culture, Daisy unpacks some of the 21st century's biggest lesbian and bisexual moments to paint a portrait of what modern-day queerness looks like.' - GAY TIMES 'Daisy Jones effortlessly explores queer culture' - COSMOPOLITAN ______________________________________________________________________________________ A modern, personal guide to the culture of queer women and everyone in between. All The Things She Said explores the nature of 21st century queerness. Lesbian and bi culture is ever-changing and here, journalist Daisy Jones unpicks outdated stereotypes and shows how, over the past few years, the style and shared language of queer women has slowly infiltrated the mainstream. (Think less hemp sandals, IKEA trips and nut milks and more freedom, expression, community. And Cate Blanchett.) From the dingy basement clubs of east London to the unchartered realms of TikTok, cutting in DIY mullets and christening Meryl Streep 'Daddy', Daisy explores the multifaceted nature of what it means to be lesbian or bi today, while also looking back and celebrating the past. The book shines a light on the never-ending process of coming out, what it's like to date as a queer woman, how physical nightlife spaces have evolved into online communities and the reasons why mental health issues have disproportionately impacted LGBTQ+ people. As someone immersed in the queer culture of women, Daisy brings both the personal perspective and a journalistic one to this changing landscape. Through interviews and lived experience, a cohesive image emerges: one which shows that being lesbian, bi, or anything in between, isn't necessarily always tied to gender, sexual practice or even romantic attraction. With verve, humour and razor-sharp prose, Daisy paints a vital and insightful modern day portrait of what it means to be a queer woman in the 21st century.

The highly publicized obscenity trial of Radclyffe Hall's "The Well of Loneliness" (1928) is generally recognized as the crystallizing moment in the construction of a visible modern English lesbian culture, marking a great divide between innocence and deviance, private and public, New Woman and Modern Lesbian. Yet despite unreserved agreement on the importance of this cultural moment, previous studies often reductively distort our reading of the formation of early twentieth-century lesbian identity, either by neglecting to examine in detail the developments leading up to the ban or by framing events in too broad a context against other cultural phenomena.

"Fashioning Sapphism" locates the novelist Radclyffe Hall and other prominent lesbians -- including the pioneer in women's policing, Mary Allen, the artist Gluck, and the writer Bryher -- within English modernity through the multiple sites of law, sexology, fashion, and literary and visual representation, thus tracing the emergence of a modern English lesbian subculture in the first two decades of the twentieth century. Drawing on extensive new archival research, the book interrogates anew a range of myths long accepted without question (and still in circulation) concerning, to cite only a few, the extent of homophobia in the 1920s, the strategic deployment of sexology against sexual minorities, and the rigidity of certain cultural codes to denote lesbianism in public culture.