This innovative study claims camp as a critical, yet pleasurable
strategy for women's engagement with contemporary popular culture
as exemplified by 30 Rock or Lady Gaga. In detailed analyses of
lesbian cinema, postfeminist TV, and popular music, the book offers
a novel take on its subject. It defines camp as a unique mode of
detached attachment, which builds on affective intensity and
emotional investment, while strongly encouraging a critical edge.
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