Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Fictions of Credit in the Age of Shakespeare (Hardcover)
Loot Price: R2,641
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Fictions of Credit in the Age of Shakespeare (Hardcover)
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In Shakespeare's England, credit was synonymous with reputation,
and reputation developed in the interplay of language, conduct, and
social interpretation. As a consequence, artful language and social
hermeneutics became practical, profitable skills. Since most people
both used credit and extended it, the dual strategies of
implication and inference-of producing and reading evidence-were
everywhere. Like poetry or drama, credit was constructed: fashioned
out of the interplay of artifice and interpretation. The rhetorical
dimension of economic relations produced social fictions on a range
of scales: from transitory performances facilitating local
transactions to the long-term project of maintaining
creditworthiness to the generalized social indeterminacy that arose
from the interplay of performance and interpretation. Fictions of
Credit in the Age of Shakespeare examines how Shakespeare and his
contemporaries represented credit-driven artifice and
interpretation on the early modern stage. It also analyses a range
of practical texts-including commercial arithmetics, letter-writing
manuals, legal formularies, and tables of interest-which offered
strategies for generating credit and managing debt. Looking at
plays and practical texts together, Fictions of Credit argues that
both types of writing constitute "equipment for living": practical
texts by offering concrete strategies for navigating England's
culture of credit, and plays by exploring the limits of credit's
dangers and possibilities. In their representations of a world
re-written by debt relations, dramatic texts in particular
articulate a phenomenology of economic life, telling us what it
feels like to live in credit culture: to live, that is, inside a
fiction.
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