Multi-disciplinary in approach and cross-European in scope, this
richly illustrated book features new links between the political
and the monstrous in the early modern period. Emphasizing the
importance of the visual in the culture of the monstrous, the book
presents a range of striking engravings, woodcuts, broadsides, and
anatomical works. Some of the most respected scholars of early
modern Europe explore monstrous bodies in descriptions of aberrant
births and grotesque anatomies, appropriations of classical or
biblical beasts and harlots, satire, myth, and science fiction.
Canonical writings on monstrosity by Aristotle, Ambroise Pare,
Rabelais, Montaigne, and Mary Shelley are juxtaposed to less
familiar treatments by Calvin, Luther, and Andrew Marvell, among
others. This volume challenges established narratives in which
modern science and medicine, sustained by enlightened reason and
secularization, progressively contain and even "normalize" all
monsters. Instead, these essays stress the continual reinvention
and polemical applications of the monstrous in the early modern
period. Monsters emerge as a rich subject for not only the history
of science, but also political and religious history, literary
studies, visual studies, and the history of popular culture."
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