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Cinema and Contact - The Withdrawal of Touch in Nancy, Bresson, Duras and Denis (Hardcover, New)
Loot Price: R2,487
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Cinema and Contact - The Withdrawal of Touch in Nancy, Bresson, Duras and Denis (Hardcover, New)
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Drawing on the work of contemporary French philosopher Jean-Luc
Nancy, Cinema and Contact investigates the aesthetics and politics
of touch in the cinema of three of the most prominent and
distinctive filmmakers to have emerged in France during the last
fifty years: Robert Bresson, Marguerite Duras and Claire Denis.
Countering the dominant critical account of touch elaborated by
recent models of embodied spectatorship, Laura McMahon argues that
cinema offers a privileged space for understanding touch in terms
of spacing and withdrawal rather than immediacy an continuity. Such
a deconstructive configuration of touch is shown here to have
far-reaching implications, inviting an innovative rethinking of
politics, aesthetics and theology via the textures of cinema. The
first study to bring the thought of Nancy into sustained dialogue
with a series of detailed analyses of films, Cinema and Contact
also forges new interpretative perspectives on Bresson, Duras and
Denis, tracing a compelling two-way exchange between cinema and
philosophy throughout.
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