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Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 (Paperback)
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Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 (Paperback)
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Over the past 30 years, musicologists have produced a remarkable
new body of research literature focusing on the lives and careers
of women composers in their socio-historical contexts. But detailed
analysis and discussion of the works created by these composers are
still extremely rare. This is particularly true in the domain of
music theory, where scholarly work continues to focus almost
exclusively on male composers. Moreover, while the number of
performances, broadcasts, and recordings of music by women has
unquestionably grown, these works remain significantly
underrepresented in comparison to music by male composers.
Addressing these deficits is not simply a matter of rectifying a
scholarly gender imbalance: the lack of knowledge surrounding the
music of female composers means that scholars, performers, and the
general public remain unfamiliar with a large body of exciting
repertoire. Analytical Essays on Music by Women Composers: Concert
Music, 1960-2000 is the first to appear in a groundbreaking
four-volume series devoted to compositions by women across Western
art music history. Each chapter opens with a brief biographical
sketch of the composer before presenting an in-depth
critical-analytic exploration of a single representative
composition, linking analytical observations with questions of
meaning and sociohistorical context. Chapters are grouped
thematically by analytical approach into three sections, each of
which places the analytical methods used in the essays that follow
into the context of late twentieth-century ideas and trends.
Featuring rich analyses and critical discussions, many by leading
music theorists in the field, this collection brings to the fore
repertoire from a range of important composers, thereby enabling
further exploration by scholars, teachers, performers, and
listeners.
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