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The Secret Meaning of Things - Poetry (Paperback)
Loot Price: R252
Discovery Miles 2 520
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The Secret Meaning of Things - Poetry (Paperback)
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Loot Price R252
Discovery Miles 2 520
Expected to ship within 12 - 17 working days
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Six recent poems by the California poet of which two are occasional
and all - with their short sharp lines, hortatory repetitions and
broad rhymes - seem designed for reading aloud to audiences. The
First, "Assassination Raga," is a declamatory litany for Robert
Kennedy. "Bickford's Buddha" occasions random observations about a
day spent at Harvard and (evidently) the transience of human life.
Without pausing he asks again in "All Too Clearly" "What is the
secret meaning/ of this poem adrift in air?" The secret is
short-circuited human contacts and the poet's mystic identification
with his fellow man, unreciprocated. LSD is extolled in "Samsara,"
and "After the Cries of Birds" envisions an apocalyptic future.
Finally "Moscow in the Wilderness, Segovia in the Snow" summons up
a mythic beast and questions what is important in life. This is
answered by an ancient armadillo which "unglues its great gut mouth
and utters/ ecstatic static." The latter phrase might usefully
describe large sections of these poems. (Kirkus Reviews)
The Secret Meaning of Things has all the elements of his earlier
poetry: lyrical intensity, wit, social concern, satirical bite, and
above all a classical claritas. But it goes much further: there is
a deepening of vision and a darker understanding of "our clay
condition." The six long poems in The Secret Meaning of Things show
a progressive continuity and clarity of perception that apprehends
both the hard reality and luminous irreality in everyday phenomena.
In "Assassination Raga"--on the death of Robert Kennedy--the glass
through which the poet sees darkly is the television screen; the
poem was first read on the night of RFK's funeral at a mass
memorial in San Francisco. "Bickford's Buddha" is a meditation on
"Observation Fever" in Harvard Square, while "All Too Clearly"
finds a "touch of old surrealism/at a stoplight in La Jolla."
"Through the Looking Glass" begins with an actual flight aboard a
commercial airliner and moves through a psychedelic vision to a
final flash of the Dance of Shiva, which in turn opens out into the
worldview of "After the Cries of Birds." "Moscow in the Wilderness,
Segovia in the Snow" comes out of Ferlinghetti's travels to Moscow
and across the steppes in the winter of 1967.
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