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Walk Your Way To Better Dance (Paperback)
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Walk Your Way To Better Dance (Paperback)
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Walk Your Way to BETTER DANCING LA WHENCE A. HOSTETLEH Walk Your
Wow to BETTER DANCING By LAWRENCE A. J3OSTETLER Author of The Art
of Social Dancing KEVISED EDITION Illustrated with Diagrams and
Reproductions from Photographs NEW YORK A, S . BARNES AND COMPANY
Contents Preface ix CHAPTER I Body Control 1 Body Conditioning Body
Mobility Relaxation Body Alignment Exercises for Body Control II
The Art of Walking 55 III The Dance-Walk 61 The Forward Dance-Walk
The Backward Dance-Walk IV With Your Partner 71 V How to Lead and
Follow 78 VI The Medium Fox-Trot 88 Rhythm The Side-Close The Basic
Step-The Principles of Turning The Rock Step The Balance-The
Hesitation-The Lead-The Pivot Turn Practice Combinations vii viii
Contents CHAPTER FAO VII The Slow Fox-Trot 128 The Basic Step-The
Three-Step-The Rock Step The Rock-Change Step The Twinkle Step-The
Pivot Turn-The Dip VIII The Fast Fox-Trot the Peabody 148 The Basic
Step The Cross-Step The Side-Cross Step-The ThreeStep-The
Ball-Change Step-The Paddle Turn IX The Waltz 161 The Basic
Step-The Open-Waltz Step-The Hesitation The Canter Waltz The
Viennese Waltz X The Tango 189 The Basic Step The Side-Progressive
Step The Rock Step-The Rock-Change Step-The Three-Step Turn-The
Pivot Turn-The Cort6 Dip XI The Rumba and the Mambo 208 The Rumba
Movement The Basic Step The Three-Step-The Rock Step-The
Rock-Change - The Break-Circle Turns-The Mambo XII The Conga 234
The Single Conga The Double Conga XIII The Samba 242 The Marcha XIV
TheLindyHop 247 The Jockeying Step The Single Lindy The Double
Lindy XV Group Instruction 261 XVI Checking Up 287 Preface ANCING,
as a rule, interprets music through move ment. Ballroom dancing is
no exception. To evaluate thepresent trend in ballroom dancing, it
is only necessary to note what the dance bands are playing. The
fox-trot in different tempos slow, medium and fast is still the
number one dance. But close behind are the popular Cuban and South
American rhythms espe cially in the larger cities where there are
numerous Latin American bands. Not only rumbas, but also more
sambas and tangos are being played. With the marriage of American
jazz to Cuban rumba to create the mambo, those with jitterbug
tendencies can now express themselves to Latin American rhythms.
The field of dance instruction has likewise witnessed some
interesting developments. When writing The Art of Social Dancing,
the author found it expedient to coin the term dance-walk to
designate the simple, unvaried progressive movement of the fox-trot
and tango. As chords are fashioned from a musical scale, so
fundamental fig x Preface ures can be derived from the dance-walk.
During the intervening years, the value and importance of the
dance-walk as a necessary foundation to modern ball room dancing
have become firmly established. Moreover, because it is based upon
the same principles of body mechanics that apply to smooth
efficient walking, the person learning to dance is, at the same
time, improving his posture and carriage. Another contribution to
better dance instruction has been a more logical and coherent
method of presenting the material The presentation of dance steps
to a pupil or class can be made in several ways. Some instructors
base most of their dance patterns on the basic waltz step
regardless of rhythm. Others teach set combinations of steps which
the pupil memorizes by repetition with little understanding of
their componentparts. The important point to be considered is the
fact that the leader is also his own choreographer. He must plan
the sequence of steps an instant before executing them. Therefore,
it is essential for him to have a clear concept of his material The
rhythm and pattern of each figure and combination should be
mentally pictured before the lead is given...
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