Rauschenberg - Canyon (Paperback, New)

In the mid-1950s, declaring "there is no reason not to consider the world as a gigantic painting," Robert Rauschenberg began a series of radical experiments with what he called "Combines," a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. "Canyon" (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. "Canyon" is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.

General

Imprint:	Museum of Modern Art
Country of origin:	United States
Series:	MoMA One on One Series
Release date:	2014
First published:	February 2014
Authors:	Leah Dickerman
Dimensions:	230 x 185 x 6mm (L x W x T)
Format:	Paperback
Pages:	48
Edition:	New
ISBN-13:	978-0-87070-894-7
Categories:	Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > General Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
LSN:	0-87070-894-5
Barcode:	9780870708947

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