Within recent reconceptualisations of Finnish and Estonian canon of
modernism and modernity, Aino Kallas (1878-1956) now belongs among
the key writers and intellectuals of the first half of the 20th
century. Her rich legacy consisting of novels, short stories,
plays, cultural criticism and life writings testifies to her
intellectual and aesthetic grasp of modernity and her varied modes
of engagement with it. In the 1920s and 30s, Aino Kallas became an
internationally renowned author and a selection of her work was
translated into English. For her, participating in the immediate
cultural debates in Estonia and Finland was a priority, yet her
whole oeuvre is a negotiation between her more immediate contexts
and the leading conceptual frameworks of aesthetics, geniality,
knowledge, subjectivity, race, sexuality, nature, etc., circling in
Europe at the end of the 19th and the beginning of the 20th
century. The collection, first one ever on Aino Kallas in English,
highlights her significance to the artistic and intellectual
horizons of modernity of Finland and Estonia as well as those of
Scandinavia and Europe. Containing articles focusing on the
question of female voice and echoes of feminist ecological thought
in her fiction, a contrapunctual reading of her fiction and that of
Isak Dinesen, her unknown manuscript "Bathseba", the implications
of existentialist thought for her work, Kallas' engagement in her
cultural criticism and life writings with decadent modernism,
issues of race and heredity, subjectivity and borders, travel,
aging, her interpretation of Goethe, and the iconography of Kallas,
the collection features the work of today's leading Aino Kallas
scholars in Finland and in Estonia.
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