This study examines and explains how British explorers
visualized the African interior in the latter part of the
nineteenth century, providing the first sustained analysis of the
process by which this visual material was transformed into the
illustrations in popular travel books. At that time, central Africa
was, effectively, a blank canvas for Europeans, unknown and devoid
of visual representations.
While previous works have concentrated on exploring the
stereotyped nature of printed imagery of Africa, this study
examines the actual production process of images and the books in
which they were published in order to demonstrate how, why, and by
whom the images were manipulated. Thus, the main focus of the work
is not on the aesthetic value of pictures, but in the activities,
interaction, and situations that gave birth to them in both Africa
and Europe.
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