Horizons of Enchantment is about the peculiar power and exceptional
pull of the imaginary in American culture. Johannessen's subject
here is the almost mystical American belief in the promise and
potential of the individual, or the reliance on a kind of "modern
magic" that can loosely be characterized as a fundamental and
unwavering faith in the secular sanctity of the American project of
modernity. Among the diverse topics and cultural artifacts she
examines are the Norwegian American novel A Saloonkeeper's Daughter
by Drude Krog Janson, Walt Whitman's Song of Myself, Rodolfo
Gonzales's I Am Joaquin, Richard Ford's The Sportwriter, Ana
Menendez's In Cuba I Was a German Shepherd, essays by Samuel
Huntington and Richard Rodriquez, and the 2009 film Sugar, about a
Dominican baseball player trying to make it in the big leagues. In
both her subject matter and perspective, Johannessen reconfigures
and enriches questions of the transnational and exceptional in
American studies.
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