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National Visions, National Blindness - Canadian Art and Identities in the 1920s (Hardcover, illustrated edition)
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National Visions, National Blindness - Canadian Art and Identities in the 1920s (Hardcover, illustrated edition)
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In the 1920s, a complex set of relationships linked the
construction of a unified Canadian identity to the imperial centre
(England), to the depiction of the landscape as an imagined
national geography in the works of the Group of Seven, and to the
image of the Indian as a disappearing race. In National Visions,
National Blindness, Leslie Dawn unravels these connections by
revisiting and radically revising several well-known events and
rescuing others from obscurity. Using new archival evidence, he
reverses many of the conventional perceptions of the Group as a
national school, and shows how, in a series of international
exhibitions held in London and Paris, conflicts arose between their
unpeopled landscapes and the presence of Northwest Coast Native
people and arts. The book also reveals how the portraits of Native
people of western Canada by the American artist Langdon Kihn served
to undermine the principle of Native disappearance on which the
Group's works were based. the Gitxsan people of the Upper Skeena
River to the landmark 1927 exhibition which brought these elements
all together and staged the discovery of Emily Carr, Dawn shows how
these programs ultimately failed, but at the same time opened the
door to other directions. Based on current theories, but written in
an accessible and engaging style, this book will appeal to readers
and researchers interested in Canadian art history, First Nations
art and history, tourism, cultural politics, museum studies, and
ethnographic practice.
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