The core volume in the Traditions in World Cinema series, this book
brings together a colourful and wide-ranging collection of world
cinematic traditions - national, regional and global - all of which
are in need of introduction, investigation and, in some cases,
critical reassessment. Topics include: German expressionism,
Italian neorealism, French New Wave, British new wave, Czech new
wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema
Novo, new Argentine cinema, pre-revolutionary African traditions,
Israeli persecution films, new Iranian cinema, Hindi film songs,
Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema
and global found footage cinema. Features *Includes a preface by
Toby Miller. *Each chapter covers a key world cinema tradition and
is written by an expert in the field: Roy Armes, Nitzan Ben-Shaul,
Peter Bondanella, Corey Creekmur, Adrian Danks, Peter Hames, Randal
Johnson, Robert Kolker, Myrto Konstantarakos, Jay McRoy, Negar
Mottahedeh, Richard Neupert, Christina Stojanova, J.P. Telotte,
Stephen Teo. *Traditions are examined from a wide range of views
and include historical, social, cultural and industrial
perspectives.
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