"Lockstep and Dance: Images of Black Men in Popular Culture"
examines popular culture's reliance on long-standing stereotypes of
black men as animalistic, hypersexual, dangerous criminals, whose
bodies, dress, actions, attitudes, and language both repel and
attract white audiences. Author Linda G. Tucker studies this trope
in the images of well-known African American men in four cultural
venues: contemporary literature, black-focused films, sports
commentary, and rap music.
Through rigorous analysis, the book argues that American popular
culture's representations of black men preserve racial hierarchies
that imprison blacks both intellectually and physically. Of equal
importance are the ways in which black men battle against, respond
to, and become implicated in the production and circulation of
these images.
Tucker cites examples ranging from Michael Jordan's underwear
commercials and the popular "Barbershop" movies, to the career of
rapper Tupac Shakur and John Edgar Wideman's memoir "Brothers and
Keepers." "Lockstep and Dance" tracks the continuity between
historical images of African American men, the peculiar
constitution of whites' anxieties about black men, and black men's
tolerance of and resistance to the reproduction of such images. The
legacy of these stereotypes is still apparent in contemporary
advertising, film, music, and professional basketball. Lockstep and
Dance argues persuasively that these cultural images reinforce the
idea of black men as prisoners of American justice and of their own
minds but also shows how black men struggle against this
imprisonment.
Linda G. Tucker is an assistant professor of English at Southern
Arkansas University. Her work has appeared in "Henry Street,"
"American Behavioral Scientist," and "Transformations."
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