This book offers a bold critical method for reading Gertrude
Stein's work on its own terms by forgoing conventional explanation
and adopting Stein's radical approach to meaning and knowledge.
Inspired by the immanence of landscape, both of Provence where she
travelled in the 1920s and the spatial relations of landscape
painting, Stein presents a new model of meaning whereby making
sense is an activity distributed in a text and across successive
texts. From love poetry, to plays and portraiture, Linda Voris
offers close readings of Stein's most anthologized and less known
writing in a case study of a new method of interpretation. By
practicing Stein's innovative means of making sense, Voris reveals
the excitement of her discoveries and the startling implications
for knowledge, identity, and intimacy.
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